The NEA opens up about its process for defining and evaluating creative placemaking projects and initiatives, positing that almost any successful creative placemaking project would make a difference to its community in at least one of four ways: strengthening the infrastructure that supports artists and arts organizations; increasing community attachment; improving quality of life; and/or driving local economies.
Fuzzy Concepts, Proxy Data: Why Indicators Won’t Track Creative Placemaking Success
One of creative placemaking’s original champions explains why she can’t get behind the field’s latest measurement efforts.
Around the horn: Frankenstorm edition
ART AND THE GOVERNMENT Two bills under consideration by Congress would adjust the music licensing rates paid by internet streaming radio services like Rdio, MOG, and Spotify to match what cable and satellite providers pay. IN THE FIELD Artists often neglect to realize that crowdfunding campaign money isn’t free – in addition to the fees youRead More
Around the horn: John Roberts edition
Astute readers will note that this edition is mostly comprised of links from the first half of June; I am a little behind in my curation and hope to catch up over the rest of this month. In the meantime, enjoy! MUSICAL CHAIRS Congratulations to Arts Marketing blogger Chad Bauman, who returns to Arena Stage asRead More
In Defense of Logic Models
They’re flexible, they’re transparent, and chances are, they’re already in your head.
Creative Placemaking Has an Outcomes Problem
Federal policymakers and private philanthropists are spending millions of dollars on creative placemaking without having developed a clear and detailed theory of how it works.
On Trey McIntyre Project and Both/And Creative Placemaking
(David B. Pankratz, Ph.D., is the Principal of Creative Sector Research in South Pasadena, California. He can be reached at creativesectorresearch@gmail.com.) In TINA vs. LOIS: Bringing the Arts Back Home, community arts advocate Scott Walters applies a concept developed by author Michael Shuman in The Small-Mart Revolution to cultural economies in American communities. TINA (ThereRead More
Around the horn: Obamacare edition
ART AND THE GOVERNMENT Mike Boehm has more on the important role California’s soon-to-be-defunct community redevelopment agencies have had in shaping Los Angeles’s cultural development. Gene Takagi provides this extremely helpful dispatch from a session on new “hybrid” legal forms such as the Benefit Corporation and L3C. Culture360 has published a helpful two–part history and analysis of cultural policy in SouthRead More
The Top 10 Arts Policy Stories of 2011
Each year, Createquity offers a list of the top ten arts policy stories of the past 12 months. You can read the 2009 and 2010 editions here and here, respectively. In addition to the main list, I also identify my favorite new arts blogs that started within the past year. The list, like the blog,Read More
Around the horn: European debt edition
ART AND THE GOVERNMENT: DOMESTIC AFTA’s Narric Rome shares the latest on how arts education has fared in the Elementary and Secondary Education Act (aka No Child Left Behind) reauthorization, which Jennifer Kessler reported on earlier this year. Mostly good news, from what it sounds like. Looks like net neutrality advocates dodged a bullet when the Senate rejected anRead More