In 2005, a violinist friend of mine approached me and asked if I would write a piece for her duo with percussionist Svet Stoyanov. Of course I said yes, and the result was a set of three little pieces for two instruments of very different sizes. Here’s the third movement, as performed at its premiereRead More

In April 2007, my experimental rock band/electric chamber ensemble Capital M had its second (and last) annual World Premieres Extravaganza at the now-defunct Tonic on New York’s Lower East Side. We opened with a performance of composer Ian Dicke’s Press Play!, a really cool composition fusing rock, jazz, and classical idioms just about as authenticallyRead More

In 2002, just after graduating from college, I moved to Philadelphia to pursue a dual career in arts administration and composing. While holding down a couple of part-time jobs involving many file folders and mailing labels, I quickly set to work on a new choral piece, a setting of Federico García Lorca’s poem “Narciso.” IRead More

This blog has a lot of new subscribers who have joined us in the past few months (actually, since February the readership has grown by a factor of 12), and it occurred to me that many folks may not realize that my interest in arts policy and arts management stems, more than anything else, fromRead More