Going to be off the grid for the next little bit. Comments will be a little slow in getting posted. Back after next week!


  • Who should be the next chair of the NEA? Barry Hessenius and Ray Mark Rinaldi trot out some possibilities.
  • Penn Hill Group, which is working with Grantmakers in the Arts on federal arts education policy, has published a report that “provides an initial analysis of the people, process, politics, and policies that are crucial to the consideration of federal education and job training policies in the next Congress and Administration.”
  • Toronto Mayor Rob Ford, who’s had an uneasy relationship with the city’s arts community, has been kicked out of office by a judge for a minor corruption charge. The judge’s decision is pending appeal.



  • Take that, Roger Ebert: video games are art! New York’s Museum of Modern Art announced recently that it is buying up 14 classic games for inclusion in its permanent collection, including Tetris, Pac-Man, and Myst. If it’s good enough for MoMA, it’s good enough for me. Too bad advances in technology are disrupting video game store economics.
  • Probably the most thorough English-language overview of the music scene in China that you’re going to find.
  • I’m scratching my head a bit wondering how a midlevel employee who didn’t work in the finance department of the Woodruff Arts Center was able to embezzle $1.5 million out of the organization over a five-year period without anyone noticing before now. That’s a lot of per diems to lose track of.
  • Who earns nearly $1 million a year for an arts organization and is still a relative bargain? Hint: he’s Venezuelan and directs a major orchestra. Culture Monster’s Mike Boehm runs the numbers.



  • Slightly old news, but here goes: The NEA is partnering with the Bureau of Economic Analysis to measure the contribution of the arts to the national GDP. The arts were already counted as part of GDP, but we didn’t have a good way of isolating their contribution – the relevant figures were only counted once every five years, and categories were unhelpfully broad (combining performing arts with sports and recreation, for example). The main short term significance of this, as I understand it, is that it will be a boon to researchers doing economic impact analyses of the arts and creative industries. Congrats to the NEA research team on making this happen – I know they’ve been working for a while on it. Meanwhile, more recently, the NEA updated its very helpful “How the United States Funds the Arts” publication for 2012.
  • Does Generation Y have unrealistic expectations about how much money they’ll be inheriting from their parents?