Our research on the history of the arts ecosystem continues with our investigation of the expanding definition of the arts and the recent history of support and recognition for artists of color. We have decided to focus this research on the period covering 1980-today, with an emphasis on trends related to equity and multiculturalism within the arts ecosystem.
Here are the resources we have reviewed last month.
Bryan, B. (2008). Diversity in Philanthropy: A Comprehensive Bibliography of Resources Related to Diversity Within the Philanthropic and Nonprofit Sectors. Foundation Center. Retrieved from http://foundationcenter.org/getstarted/topical/diversity_in_phil.pdf
Campbell, M. S. (1998). A New Mission for the NEA. TDR: The Drama Review, 42(4), 5–9.
DeVos Instititute of Arts Management. (2015). Diversity In The Arts: The Past, Present, and Future of African American and Latino Museums, Dance Companies, and Theater Companies. Retrieved from http://www.devosinstitute.umd.edu/What-We-Do/News-and-Announcements/Announcements/Announcements/Diversity%20in%20the%20Arts%20paper
Garfias, R. (1991). Cultural diversity and the arts in America. In Public money and the muse, ed. Stephen Benedict. New York: Norton.
Gordon, A., & Newfield, C. (1996). Mapping multiculturalism. Minneapolis, Minn.: University of Minnesota Press.
Haft, J. (n.d.). Article: Voices from the Battlefront: Achieving Cultural Equity Through Critical Analysis. Retrieved from https://roadside.org. October 22, 2015. https://roadside.org/asset/article-voices-battlefront-achieving-cultural-equity-through-critical-analysis
Hartmann, D., & Gerteis, J. (2005). Dealing with Diversity: Mapping Multiculturalism in Sociological Terms. Sociological Theory, 23(2), 218–240.
Jensen, R. (1995). The Culture Wars, 1965-1995: A Historian’s Map. Journal of Social History, 29, 17–37.
Jewesbury, D. D., Singh, J., & Tuck, S. (2009). Cultural Diversity: Language and Meanings. The Arts Council of Ireland. Retrieved from http://www.artscouncil.ie/uploadedFiles/Main_Site/Content/Artforms_and_Practices/Arts_Participation_pages/Cultural_Diversity_language_meanings.pdf
Koch, C. (1998). The NEA and NEH Funding Crisis. Public Talk: Online Journal of Discourse Leadership, (2). Retrieved from http://www.upenn.edu/pnc/ptkoch.html
Lowry, W. M. (1991). How many muses? Government funding for the multicultural. Journal of Arts Management & Law, 21(3), 264.
Marta Moreno Vega. (1993). Voices from the Battlefront: Achieving Cultural Equity. Trenton, N.J: Africa World Pr.
Matlon, M. P., Ingrid Van Haastrecht, & Kaitlyn Wittig Mengüç. (2014). Figuring the Plural: Needs and Supports of Canadian and US Ethnocultural Arts Organizations. Chicago, IL: Plural. Retrieved from http://www.pluralculture.org/programs-services/figuring-the-plural-book/
Moore, M. (1990). The politics of multiculture. Journal of Arts Management and Law, 20(1), 5–15.
Pankratz, D. B. (1993). Multiculturalism and public arts policy. Bergin & Garvey.
Race & Ethnicity in Independent Films: Prevalence of Underrepresented Directors and the Barriers They Face. (n.d.). Retrieved from https://www.arts.gov/sites/default/files/Research-Art-Works-Sundance.pdf
Sidford, H. (2011). Fusing Arts, Culture, and Social Change. National Committee for Responsive Philanthropy. Retrieved from http://www.ncrp.org/files/publications/Fusing_Arts_Culture_Social_Change.pdf
Ravitch, D. (1990). Multiculturalism: E pluribus plures. American Scholar, 59(3), 337.
Voss, Z. G., Voss, G., Louie, A., Drew, Z., & Teyolia, M. R. (n.d.). Does “Strong and Effective” Look Different for Culturally Specific Arts Organizations? Retrieved from http://www.smu.edu/~/media/Site/Meadows/NCAR/NCARWhitePaper01-12
Meanwhile, we have also focused our literature review and searching on artists’ labor markets and on entrepreneurship. Studies that we reviewed last month appear below:
Alper, Neil O. (n.d.). ARTISTS’ CAREERS AND THEIR LABOR MARKETS*. Retrieved from http://faos.ku.dk/pdf/
Abbing, H. (2008). Why Are Artists Poor? : The Exceptional Economy of the Arts. Retrieved from http://www.oapen.org/search?
Caves, R. C. (2000). Creative Industries: Contracts between art and commerce. Retrieved from https://books.google.com/
Dimitrialdi, N. (2009, May). THE EMERGENCE OF PRACTICE: MOTIVATION AND DECISION MAKING AMONG CONTEMPORARY VISUAL ARTISTS. University of Brighton. Retrieved from http://eprints.brighton.ac.uk/
Galligan, A., & Alper, N. (2000). The Career Matrix: The Pipeline for Artists in the United States. In The Public Life of Arts in America.
Jackson, M.-R. (2004). Investing in Creativity: A Study of the Support Structure for US Artists. The Journal of Arts Management, Law, and Society, 34(1), 43–58. Retrieved from https://phillyartistssummit.
Menger, P.-M. (1999). Artistic Labor Markets and Careers. Annual Review of Sociology Vol. 25, 25. Retrieved fromhttp://www.jstor.org/stable/
Throsby, D., & Zednik, A. (2011). Multiple job-holding and artistic careers: some empirical evidence. Cultural Trends, 20(1), 9–24. Retrieved from http://www.tandfonline.com/
Wadhwa, V., Aggarwal, R., Holly, K., Salkever, A. (n.d.). The Anatomy of an Entrepreneur: Family Background and Motivation. Retrieved from http://www.kauffman.org/~/