- Americans for the Arts has another blogfest going, this time about private sector arts advocacy. Some big names participating in this one.
- The National Endowment for the Arts’s latest program has sort of flown under the radar, but Our Town (which is currently in the President’s budget request waiting to be approved by Congress) would marshal $5 million in 2011 to support programs that
- Plan and develop arts districts; map cultural assets and development potential; promote the arts and artists as integral components of community life and essential to community planning; and support innovative approaches by communities to maximize the economic growth potential of their creative sectors.
- Place the art of design at the center of the development and enhancement of public spaces and the identification of solutions for more livable communities, while being sensitive to environmental impact. Activities would include encouraging partnerships that link compelling architecture, energetic streetscapes, sustainable parks andlandscapes, and the arts.
- Promote the arts as core to community livability by enhancing the availability and accessibility of the arts, particularly in new settings. These efforts would include artist residencies; transforming community sites into public art spaces and creating new ways to engage people with the arts; producing festivals, community-wide celebrations, and outdoor exhibitions; and commissioning temporary and/or permanent site-specific public art such as murals and sculptures, including freestanding site-specific art, free public performances, sculpture gardens, waterfront art walks, and artist studios.
The initiative seems to be an outgrowth and expansion of the Mayors’ Institute on City Design program announced earlier this year. See pages 7-10 of the appropriations request (pdf) for the full scoop.
- I heart collaborations, part I: the San Francisco-area cities of Berkeley, Emeryville, Oakland, and Richmond have pooled resources with local private funders to create 510Arts.com, a new event and news portal for what’s now being called the East Bay Cultural Corridor. The close involvement of the four municipal agencies is especially significant, as they have clearly seen that a thriving cultural scene is more than the sum of its parts. Judith H. Dobrzynski has more.
- I heart collaborations, part II: seven Washington State grantmakers teamed up to study the entire nonprofit ecosystem in the state and map out the gaps in funding and services so that they could attack them together. They’re already adjusting and creating grant programs in response to the findings.
- I heart widely-distributed research resources: the audio from the Philanthropy Action qualitative metrics conference call; transcripts and audio from a public policy symposium in Aspen, CO from last October.
- Looking forward to hearing what Andrew Taylor has to say about his experience at the Salzburg Global Seminar. I’m becoming increasingly convinced that the arts policy conversations we have in America are too US-centric, and I’m looking for opportunities for me and Createquity readers to access the comparative analytical possibilities afforded by comparing our way of doing things with other countries’. For example, in Canada, arts organizations get an average of about 28% of their budgets from the government, compared to 13% in the US (put another way, government revenue makes up for more than half of contributed income in Canada but less than a quarter of contributed income in the States). The article linked above points out that only 3.3% of Canadian donors give to the arts, which doesn’t seem like much until you consider that just 4% of American donor dollars go to arts and culture.
- Never fun to hear about the death of a grant program outside of Nylachi’s clutches, even if it only provided $50,000 a year. The Bush Foundation’s Dakota Creative Connections fund supporting artists in North and South Dakota is no more.
- Can listening to Mozart make you smarter? No, but performing it might.
- American Express is reminding everyone that it was first on the vote-on-this-website-to-decide-who-gets-our-money bandwagon, y’all, by pimping a new-and-improved Members Project on the Oscar telecast. Sounds like the website will take some inspiration from the Obama campaign to connect donors with each other and volunteer opportunities in addition to the voting.
- If my post from the other week didn’t convince you to follow OKTrends, maybe this one will: via Freakonomics, an analysis from last October shows among other things that black women both respond to men’s overtures on the site at higher rates and that their own messages are more likely to be ignored by men (of all races, including black men). Meanwhile, white, Asian, and Hispanic women are more likely to respond to white men than men of any other race. The researchers controlled for attractiveness as rated by other site users, and people who had explicitly said that they didn’t want to date people from race X were excluded. (So, in other words, this is documenting racial dating preferences even among people who claim to be open to dating any race.)
- Good news for the jobseekers among ye: 60% of surveyed New York nonprofits are planning to hire in 2010.
- If you’re a musician who’s concerned about health insurance, please take Future of Music Coalition’s survey here.
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Perhaps we really are talking about two different things… This goes back to my initial comment on the first...
—Adam Huttler on March 13th, 2010It sounds to me like you’re saying economists would claim that the fact that poor folks don’t buy tickets to hot...
—Ian David Moss on March 13th, 2010I get that price = value doesn’t explicitly account for the fact that people have different options and...
—Adam Huttler on March 13th, 2010@Adam: I think we’re still talking past each other a little bit. If the economy consists only of you and the...
—Ian David Moss on March 13th, 2010There are lots of thoughtful economists, so maybe the problem is more with the dysfunctional aspects of the...
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Economicsitis: A Response
Last week’s post, provocatively titled Economists Don’t Care About Poor People, attracted two lengthy, substantive critiques. One was from Michael Rushton, with whom I’ve tangled previously on the subject, and the other from Adam Huttler. (Note to self: when your own boss writes an eleventy-thousand-word comment refuting your twelvety-thousand-word blog post, maybe it’s time to, uh, throw in the towel. Just kidding, it’s on!)
I decided to address Adam’s and Michael’s critiques together since there is some degree of overlap. Below, I’ll distill each man’s arguments into bullet-point form and number them so they can be addressed more clearly.
Adam thinks that I am overstating my case and “foster[ing] false hope in a bogus alternative.” He claims:
Michael says that I’m too mean to economists and that most of them do have a heart. He writes:
OK, let’s see, taking these in order from least salient to most:
First, the appropriateness of using lotteries to distribute expensive tickets to arts events (arguments #3 and 4). Adam & M-Rush’s point that lottery systems randomize wealth rather than equalize it is fair enough – I didn’t necessarily mean to hold lotteries up as the be-all and end-all, but only mentioned them since Baumol & Bowen specifically seemed to think their solution (let the free market decide) was fairer than the lottery. To Adam’s point about commercial operators having the opportunity to claim their own value, I am more sympathetic, though even in the case of some commercial entities the question may not be as easy as all that (e.g., the Red Sox employ a lottery system for distributing hot-ticket items like Yankees games; one might argue that this would be justified as an enforced policy because baseball enjoys an antitrust exemption from the government which allows the Red Sox to have the grip on Bostonians’ identity that they do). And in an environment where nonprofit arts administrators across the country are tearing their hair out trying to understand how to reach new, younger, and more diverse audiences, a lottery system is perhaps a fairer way to distribute scarce resources than relying on market forces to distribute them according to society’s existing unfairnesses.
But I don’t want to let the lottery issue distract from what I see as the bigger fish. The real question here is how well what Adam calls the price =value equation (aka neoclassical pricing theory) describes the real world and how much it influences mainstream economic thought. So let’s begin.
Regarding argument #1, I thought about the issue of perfect information, but I could just as easily have made it a situation where he was buying the memorabilia as a gift for his wife, who divorced him a year later and threw out everything he had ever given to her; or if that’s not good enough, just that it pleased him in the moment to own this item and that he bought it for no real reason other than that he could. Either way, the point still stands, if not quite as dramatically. But this is supposed to be an extreme case for purposes of illustration. The price = value equation is challenged in much subtler ways all the time.
Which brings us to #2: I’m not convinced that these “luxury goods,” and the attendant supply-and-demand weirdnesses that go along with them, are such edge cases after all. Adam goes so far as to say, “while Price = Value in the aggregate, the formula doesn’t necessarily hold for any individual purchaser.” Huh? If the formula doesn’t hold for any individual purchaser, why would we assume that it holds in the aggregate? I’m open to the possibility that it could, if confronted with irrefutable empirical evidence, but I have a hard time believing a priori that the disconnect between utility and willingness-to-pay for individual market players doesn’t bias and shape the market in specific, systematic ways. And if anything, this seems like it would be especially true in the arts. After all, the original discussion that led to all this was about whether unpaid internships were a threat to diversity in the arts because low-income individuals could not afford to take them (and thus were at risk to remove themselves from contention at the front end for an important career stepping-stone towards more potential income later on). One might think of this “willingness-to-accept” problem as a kind of corollary to the “willingness-to-pay” issue that I pointed out with my post. We also looked recently at the possibility of pernicious effects on the socioeconomic diversity of artists that compete for recognition through competitions if entry fees were raised to nontrivial prices. And it doesn’t end there, certainly. Think about what kinds of investments are needed or helpful to jumpstart an artistic career: training, documentation (e.g., recording), production values, marketing, travel, living expenses in expensive cities, time not spent earning income. If anything, in many of these situations willingness-to-pay may be inversely correlated with utility/personal value, not one and the same–not even close.
Do economists understand this? Here’s where Michael Rushton and I just don’t see eye-to-eye (arguments #5, 6, and 7). I applaud his list of policy recommendations–clearly, he is living proof that not all economists are heartless bastards. And surely there are others – Paul Krugman, for one, and the fact that the latter won the Nobel Prize speaks volumes. Perhaps the kinds of economists I want to see are more in evidence in the international community. But here in the US, I wish I could believe they were as mainstream as he says. I mean, really? No serious economists would dispute that we need government-provided universal health care and a no-fucking-around progressive income tax? Has Michael Rushton not heard of the Chicago School? Are these people not mainstream? Have they not had a tremendous formative impact on public policy in this country over the past 30 years? The foundation of their philosophy is the very libertarian principles that Michael is so quick to reject as not being worthy of debate. Yet the shadow they cast over the national discussion of economics is tremendous.
Interestingly, my two contenders reserve their strongest criticism for things I didn’t even say.
Adam, for example, concludes:
OK, so I never suggested that we abolish markets. That would be pretty nonsensical of me–after all, markets are there whether we like it or not; they happen. I think of marketplaces like biological ecosystems. Sometimes, depending on what’s going on inside of them, they work extraordinarily well, with everything going according to Nature’s plan in a sustainable, virtuous cycle. Other times, though, again depending on what’s going on a the micro level, they get out of balance; portions flourish while others flounder, leading to displacement or the loss of biodiversity or even wholesale collapse. To fix the imbalance, one must help the system to function again. Whether we call it a market or not doesn’t really matter; it is what it is.
Meanwhile, Michael thinks that I want to achieve utopia through micro-manipulation of the prices of everyday goods.
Of course a lottery of tickets isn’t going to achieve income equality. At best these measures are a small band-aid on a much larger problem, and I’m planning to address that problem in a future post. In the meantime, though, a band-aid is better than salt, is it not?
If anything, in the last two years, my orientation towards markets has become more positive, not less; I now believe that markets are one of the most efficient and effective ways of advancing the social good, when they work. So I think Adam, Michael, and I are actually in quite similar places here after all, broadly speaking. It’s just that I think of markets as systems that occasionally bear a resemblance to the idealized marketplace seen in economics textbooks, but much more often don’t.
*
Here’s the point in all of this.
I have all the respect for Adam in the world (love ya too, boss!), but I remain convinced (or at any rate, I strongly suspect) that it’s the neoclassical model that’s the edge case, not luxury goods. How common is it, really, for people to have full and relevant information on what they’re getting? How common is it that their preferences are really rational? Just because your mind works that way doesn’t mean most people’s do. Likewise, I think Michael Rushton is a smart, smart cookie, but his campaign to limit the discussion to (what seems to me) a relatively narrow group of middle-of-the-road, professional academic economists does a disservice by ignoring the vastly disproportionate impact that the free-market purists have on the national conversation. Dude, if you want to call yourself an economist and be proud of it, you need to take some responsibility for the damage your crazy-ass colleagues are doing to the credibility of your profession.
Rushton thinks it’s unfair that I implied that William Baumol and William Bowen don’t care about poor people, when clearly they do. I agree that it’s an unfair characterization. But I need to explain something about that quote in my last post. For those who have not had the opportunity to read Performing Arts: The Economic Dilemma, the book is through most of its pages a model of “telling it like it is” understatement: the authors clearly identify the limits of their knowledge and analysis, every assertion is thoroughly documented, a host of alternative explanations are examined at every turn, and issues of class, race, and gender are given fairly enlightened treatment by 1966 standards. In short, they approach the issues at hand exactly in the way I would ask.
The outburst I quoted on page 286 is not an offhand remark taken out of context; it is part of an impassioned five-page rant that is completely at odds with the tone seen in the rest of the book. The authors offer no empirical evidence for their claims in this section, only a few quotes from historians and their own very obvious frustration (some of it perhaps justified) at overzealous regulation of ticket prices. Clearly, one if not both of the authors felt very strongly about this issue, strongly enough to break with decorum and tone to take a stand. That they did it while disparaging the notion of “public virtue” and ignoring the very obvious benefits to access for lower-income people (remember, it’s not like these were considered and dismissed, they weren’t even discussed) from one of the suggested solutions, a lottery system, is telling to me. It’s like even Baumol and Bowen suffered from a temporary bout with Econ 101 disease.
*
I’ve used the words “sickness” and “disease” before to describe what I feel is wrong with the economics profession. I do not use these terms lightly. I use them because, though I am ready to believe that the field has no shortage of thoughtful, level-headed, and compassionate people working diligently within it, I truly believe that as a field itself its foundations are rotten at the core. The neoclassical pricing model is not just some important but outdated anachronism in the history of intellectual thought, like Freud’s Oedipal complex or Marx’s proletariat. It is the active basis of the majority of economists’ working lives. It is the foundation of all economists’, and a lot of non-economists’, first instruction in the field. This conversation, again, was prompted by a debate about the minimum wage. If Wikipedia is to be believed, the empirical evidence that a minimum wage is even marginally detrimental to employment totals is inconclusive at best. Yet according to the same source, nearly all economics textbooks have a nice, neat graph that explains exactly why a minimum wage is detrimental to employment totals. It generally looks something like this:
economics