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There are lots of thoughtful economists, so maybe the problem is more with the dysfunctional aspects of the...
—Richard Reiss on March 11th, 2010Wow, Ian, this is really gettin’ good: engaged, lively disagreement. The transparency in your blog is refreshing,...
—Ann Sachs on March 9th, 2010I have all the respect for Adam in the world (love ya too, boss!), but I remain convinced (or at any rate, I strongly...
—Adam Huttler on March 9th, 2010Thanks for the head’s up about the link, Laura, I’ve fixed it.
—Ian David Moss on March 9th, 2010Thanks for noticing the demise of the Bush Foundation’s Dakota Creative Connections program (although I think...
—laura zabel on March 9th, 2010
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About
Since its debut in October 2007, Createquity has been hailed as “revolutionary,” “must-read,” “important,” “lively,” “thorough,” and “so amazingly good it’s almost in its own category of resource” by readers across the web. A unique virtual think tank exploring the intersection of the arts with a wide range of topics including politics, economics, philanthropy, leadership, research, and urban planning, Createquity is your source for next-generation ideas on the role of the arts in a creative society.
Ian David Moss founded Createquity as a first-year student in the MBA program at the Yale School of Management. In his current capacity as Research Director for Fractured Atlas, a national arts service organization, he is managing the development of a cultural asset map of the Bay Area in collaboration with the William and Flora Hewlett Foundation. Previously, he was a Rhode Island-based arts consultant working with clients on projects including strategic planning, program development, program evaluation, and data analysis. Prior to business school, he was Development Manager for the American Music Center. He is a composer and choral singer and founded two first-of-their-kind performing ensembles in New York City: a hybrid electric chamber ensemble/experimental rock band that commissioned works by classical composers for rock instruments (Capital M), and a choral collective dedicated to the music of living composers (C4). He was recently named one of two “younger leaders very likely to grow into major contributors to the arts in this country” in arts consultant and blogger Barry Hessenius’s annual ranking of the top 25 leaders in the nonprofit arts sector.