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		<title>Yale SOM Philanthropy Conference Wrap-Up</title>
		<link>https://createquity.com/2008/12/yale-som-philanthropy-conference-wrap/</link>
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		<pubDate>Wed, 24 Dec 2008 15:23:00 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Philanthropy]]></category>
		<category><![CDATA[business school]]></category>
		<category><![CDATA[cross-sector collaboration]]></category>
		<category><![CDATA[emerging leaders]]></category>
		<category><![CDATA[evaluation]]></category>
		<category><![CDATA[Yale SOM Philanthropy Conference]]></category>

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		<description><![CDATA[The fourth annual Yale School of Management Philanthropy Conference, which I had the honor of co-chairing, took place on Friday, December 5. One hundred and fifteen students and professionals crowded into the upstairs ballroom of the New Haven Museum and Historical Society to hear speakers including Paul Brest, President of the William and Flora Hewlett<a href="https://createquity.com/2008/12/yale-som-philanthropy-conference-wrap/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p>The fourth annual <a href="http://community.som.yale.edu/philanthropy/">Yale School of Management Philanthropy Conference</a>, which I had the honor of co-chairing, took place on Friday, December 5. One hundred and fifteen students and professionals crowded into the upstairs ballroom of the <a href="http://www.newhavenmuseum.org/">New Haven Museum and Historical Society</a> to hear speakers including <a href="http://community.som.yale.edu/philanthropy/?p=75">Paul Brest</a>, President of the William and Flora Hewlett Foundation; <a href="http://community.som.yale.edu/philanthropy/?p=70">Ira Magaziner</a>, Chairman of the Clinton Climate Initiative and the Clinton Foundation HIV/AIDS Initiative; <a href="http://community.som.yale.edu/philanthropy/?p=73">Kate Levin</a>, Commissioner of the New York City Department of Cultural Affairs, <a href="http://community.som.yale.edu/philanthropy/?p=71">Sean Stannard-Stockton</a>, creator of the Tactical Philanthropy blog, and many others. (View the full schedule <a href="http://community.som.yale.edu/philanthropy/?page_id=58">here</a>.)</p>
<p>The theme of the day was &#8220;Collaboration and Leadership in Philanthropy.&#8221; In bringing these speakers together under this banner, the conference aimed to highlight examples of broad-based philanthropic thinking &#8212; the kind that recognizes that, in order to make a real difference in the world, one can&#8217;t act in isolation. The panels and speeches collectively examined many different kinds of collaboration &#8212; with other philanthropic organizations, with governments, with private sector corporations, with grantees, even with individuals &#8212; and what kind of leadership is required to make those collaborations successful.</p>
<p>To view highlights of the three panels along with Paul Brest&#8217;s keynote speech and Ira Magaziner&#8217;s opening speech, feel free to visit the links below. Many thanks to conference committee members Jeff Grosz, Morgan Hall, Edwin Lee, Kristin Tracz, and Megan Wilcox-Fogel for their assistance with the creation of these notes.</p>
<ul>
<li><a href="http://community.som.yale.edu/philanthropy/?p=85">Opening Speech: Ira Magaziner</a></li>
<li><a href="http://community.som.yale.edu/philanthropy/?p=86">Panel 1: Developing Standards and Sharing Knowledge</a></li>
<li><a href="http://community.som.yale.edu/philanthropy/?p=87">Panel 2: Collaboration Across Sectors</a></li>
<li><a href="http://community.som.yale.edu/philanthropy/?p=88">Keynote Speech: Paul Brest</a></li>
<li><a href="http://community.som.yale.edu/philanthropy/?p=89">Panel 3: Executive Leadership Forum</a>  </li>
</ul>
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		<title>Speaking of conferences&#8230;.</title>
		<link>https://createquity.com/2008/11/speaking-of-conferences/</link>
		<comments>https://createquity.com/2008/11/speaking-of-conferences/#respond</comments>
		<pubDate>Wed, 19 Nov 2008 22:21:00 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Philanthropy]]></category>
		<category><![CDATA[business school]]></category>
		<category><![CDATA[conferences and talks]]></category>
		<category><![CDATA[NYC Department of Cultural Affairs]]></category>
		<category><![CDATA[Yale SOM Philanthropy Conference]]></category>

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		<description><![CDATA[Only a few spots remain for the 4th annual Yale School of Management Philanthropy Conference on December 5 at the New Haven Museum and Historical Society. I&#8217;m proud to be co-chairing this conference with my colleague Kim Su &#8217;09 and to have designed the bulk of the panel structure this past summer. As part of<a href="https://createquity.com/2008/11/speaking-of-conferences/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_jSTeDrbLy7I/SSS8_HwFAQI/AAAAAAAAAFA/DDwLSMifb2o/s1600-h/750_a.jpg"><img decoding="async" style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 75px;" src="http://4.bp.blogspot.com/_jSTeDrbLy7I/SSS8_HwFAQI/AAAAAAAAAFA/DDwLSMifb2o/s400/750_a.jpg" alt="" id="BLOGGER_PHOTO_ID_5270545256528806146" border="0" /></a>Only a few spots remain for the 4th annual <a href="http://community.som.yale.edu/philanthropy/">Yale School of Management Philanthropy Conference</a> on December 5 at the New Haven Museum and Historical Society. I&#8217;m proud to be co-chairing this conference with my colleague Kim Su &#8217;09 and to have designed the bulk of the panel structure this past summer. As part of the event, we&#8217;ll be welcoming both Sean Stannard-Stockton of <a href="http://tacticalphilanthropy.com/">Tactical Philanthropy</a> and Paul Brest of the <a href="http://www.hewlett.org/">Hewlett Foundation</a> to the East Coast, just a couple of weeks after they appear together tonight at the first-ever <a href="http://tacticalphilanthropy.com/2008/10/tactical-philanthropy-forum-featuring-paul-brest-and-bill-somerville">Tactical Philanthropy Forum</a> in San Francisco. The theme is &#8220;Collaboration and Leadership in Philanthropy&#8221; and there&#8217;s a great roster of speakers lined up. We&#8217;ll even have some arts representation in the form of Kate D. Levin, the Commissioner of the <a href="http://www.nyc.gov/html/dcla/html/home/home.shtml">New York City Department of Cultural Affairs</a> (currently enjoying the distinction of being the largest public arts funder in the country, though perhaps not for much longer given NYC&#8217;s myriad budget difficulties).</p>
<p>You can expect a conference wrap-up appearing on these pixels shortly after the conclusion of the event.</p>
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		<title>Wrap-up: SOM Philanthropy Conference (Part II)</title>
		<link>https://createquity.com/2007/12/wrap-up-som-philanthropy-conference/</link>
		<comments>https://createquity.com/2007/12/wrap-up-som-philanthropy-conference/#respond</comments>
		<pubDate>Tue, 04 Dec 2007 20:05:00 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Philanthropy]]></category>
		<category><![CDATA[conferences and talks]]></category>
		<category><![CDATA[corporate philanthropy]]></category>
		<category><![CDATA[crowdfunding]]></category>
		<category><![CDATA[nonprofit sector]]></category>
		<category><![CDATA[social enterprise]]></category>
		<category><![CDATA[Yale SOM Philanthropy Conference]]></category>

		<guid isPermaLink="false">https://createquity.com/2007/12/wrap-up-som-philanthropy-conference-part-ii.html</guid>
		<description><![CDATA[The first half of this wrap-up is available here. Following the Funder/Grantee Relationships panel, I attended another discussion focusing on the democratization of philanthropy (i.e., bringing more and more types of donors to the funding table). The panelists were Diane Airker and Angel Fernandez-Chavero from the Community Foundation of Greater New Haven, Eugene Miller from<a href="https://createquity.com/2007/12/wrap-up-som-philanthropy-conference/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_jSTeDrbLy7I/R1YjNfQR-lI/AAAAAAAAAA8/dLiEA8eFvis/s1600-h/democratization.jpg"><img decoding="async" style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://3.bp.blogspot.com/_jSTeDrbLy7I/R1YjNfQR-lI/AAAAAAAAAA8/dLiEA8eFvis/s400/democratization.jpg" alt="Democratization panel" id="BLOGGER_PHOTO_ID_5140334739325057618" border="0" /></a><span style="font-style: italic;">The first half of this wrap-up is available <a href="https://createquity.com/2007/11/wrap-up-som-philanthropy-conference.html">here</a>.</p>
<p></span>Following the Funder/Grantee Relationships panel, I attended another discussion focusing on the democratization of philanthropy (i.e., bringing more and more types of donors to the funding table). The panelists were Diane Airker and Angel Fernandez-Chavero from the <a href="http://www.cfgnh.org/">Community Foundation of Greater New Haven</a>, Eugene Miller from the <a href="http://www.philanthropy.org/">Center on Philanthropy and Civil Society</a> at the CUNY Graduate Center, Richard Porth from the <a href="http://www.hfpg.org/">Hartford Foundation for Public Giving</a>, and Tim Walter from the <a href="http://www.smallfoundations.org/">Association of Small Foundations</a>. Cheryl Casciani from the <a href="http://www.bcf.org/">Baltimore Community Foundation</a> moderated. I didn&#8217;t take as detailed notes for this one, so I will just pass along a few memorable tidbits that caught my attention.<span id="fullpost"></p>
<blockquote>
<ul>
<li>Cheryl Casciani: &#8220;It&#8217;s impossible to know what it means to give until you&#8217;ve worked to get.&#8221; I couldn&#8217;t agree more. Sure, impossible might be an overstatement, but it definitely helps to have had that perspective. And all the more so when the project you&#8217;ve raised funds for is your own, rather than someone else&#8217;s.</li>
<li>Tim Walter&#8217;s Association of Small Foundations is an interesting group. Representing 3100 small-staffed or unstaffed foundations with average giving of $1 million, these groups often act more like individual donors than the behemoths like Gates, Ford, etc. Interestingly, Walter characterized small foundations as somehow more &#8220;philanthropic&#8221; than larger ones, I guess because they rely more on volunteer time than paid professional staff. Not sure I buy that, mostly because non-professional givers seem more likely to distribute funds in ways that risk getting grantee organizations &#8220;off mission&#8221;&#8211;i.e., by making large, highly restricted grants for very specific projects of personal interest to the donor. This came up a bit in discussion, but Walter warned against alienating donors with educational efforts that come off as condescending or arrogant. Better to inspire them and present it as an opportunity to lead through their actions.</li>
<li>Someone said that organizations are not engaged so much in fundraising as &#8220;friendraising.&#8221; Classic.</li>
<li>Apparently, all foundation giving represents only 0.2% of the annual GDP. This seems surprising considering the fact that nonprofits <a href="https://createquity.com/2007/10/commongood-careers.html">employ a tenth of the nation&#8217;s workforce</a>. I would like to know what proportion of the GDP is accounted for by individual donations, government grants, endowment income, and revenue earned by nonprofits for profit-making ventures. (It&#8217;s also important to note that the foundations themselves would be included in that workforce figure above.)</li>
</ul>
</blockquote>
<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_jSTeDrbLy7I/R1YjWfQR-mI/AAAAAAAAABE/HopNS6QDlwM/s1600-h/charlesbest.jpg"><img decoding="async" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://3.bp.blogspot.com/_jSTeDrbLy7I/R1YjWfQR-mI/AAAAAAAAABE/HopNS6QDlwM/s400/charlesbest.jpg" alt="Charles Best" id="BLOGGER_PHOTO_ID_5140334893943880290" border="0" /></a>Following this second panel, we broke for lunch and listened to the keynote speech by Charles Best, CEO of <a href="http://www.donorschoose.org/">DonorsChoose</a> and a 1998 graduate of Yale College. Looking like the California surf had dropped him on our doorstep, Best gave an engaging presentation about his organization and the creative ways it has interacted with donors and corporations alike. DonorsChoose acts as something of a clearinghouse for small-dollar classroom projects in public schools across America, kind of like a more focused version of what <a href="http://www.fracturedatlas.org/">Fractured Atlas</a> does as fiscal sponsor for fledgling arts organizations. The projects are submitted by teachers and vetted by the organization. Apparently the best part is the personalized thank-yous you receive at the end. What&#8217;s more, you can buy <a href="http://www.donorschoose.org/donors/giftoptions.html?zone=0">gift certificates</a> for your favorite budding philanthropist. All in all, an interesting model that bears further study.</p>
<p>The final event I attended was the Trends in Corporate Giving panel with Joseph Gianni from <a href="http://www.bankofamerica.com/foundation/">Bank of America</a>, Greg Johnson from the <a href="http://www.sportsphilanthropyproject.com/">Sports Philanthropy Project</a>, Celina Miranda from the <a href="http://www.bnymellon.com/about/communityinvolvement/charitablegiving.html">Bank of New York Mellon</a>, and William Shutkin from the <a href="http://www.in4c.net/">Innovation Network for Communities</a>. Jack Meyers from Yale SOM moderated. This panel was perhaps the most wide-ranging of the three I attended, as much of it featured highly philosophical debate about the very nature of corporate responsibility to society. Shutkin, in particular, advocated a very specific vision of his in which private philanthropy in some sense would no longer become necessary because corporations became committed to social responsibility in their day-to-day operations. After all, corporate giving accounts for 31% of all foundation giving, which if the statistic from the previous panel is true means that it makes up less than one-tenth of one percent of the annual GDP. By working social responsibility into the fabric of major for-profit operations, a scale perhaps can be achieved that would be unattainable otherwise. This point of view was echoed by a questioner who opined that it would be better if corporations sought to avoid causing problems in the first place rather than trying to &#8220;fix&#8221; them after the fact through their philanthropic arms. Some aspects of this vision are already entering the marketplace on a small scale: for-benefit corporations with hybrid/integrated solutions that use markets for social ends&#8211;the so-called &#8220;double bottom line&#8221; approach. Shutkin also mentioned &#8220;mission investing,&#8221; the process of nonprofits using their own endowments as a means to funnel resources to socially responsible ventures. The discussion was fascinating, but difficult to grapple with fully in the time available.</p>
<p>Since this blog is ostensibly about the arts, I&#8217;ll quickly mention that Bank of New York Mellon delivers substantial support to the arts in NYC, although not so much (as yet) in Boston, where Celina Miranda is based. Miranda had an interesting perspective as someone who came to corporate philanthropy from social work. It seems like an appropriate track, frankly.</p>
<p>Overall, the Philanthropy Conference was excellent and I&#8217;m glad to be able to report on it here. Here&#8217;s hoping it&#8217;s an SOM tradition that persists for many more years.</p>
<p><i>Thanks to Jeff Levi for the use of his photos from the conference.</i></p>
<p></span></p>
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		<title>Wrap-up: SOM Philanthropy Conference (Part I)</title>
		<link>https://createquity.com/2007/11/wrap-up-som-philanthropy-conference/</link>
		<comments>https://createquity.com/2007/11/wrap-up-som-philanthropy-conference/#respond</comments>
		<pubDate>Thu, 29 Nov 2007 21:02:00 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Philanthropy]]></category>
		<category><![CDATA[capacity]]></category>
		<category><![CDATA[conferences and talks]]></category>
		<category><![CDATA[evaluation]]></category>
		<category><![CDATA[funder/grantee relationships]]></category>
		<category><![CDATA[Grantmakers for Effective Organizations]]></category>
		<category><![CDATA[Yale SOM Philanthropy Conference]]></category>

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		<description><![CDATA[On November 16, 2007, I had the pleasure of attending the 3rd Annual Yale School of Management Philanthropy Conference, an ambitious event that included a total of seven panels, three guest speakers, and multiple receptions. The all-volunteer student organizing team did a great job, and I was glad to be involved as the coordinator of<a href="https://createquity.com/2007/11/wrap-up-som-philanthropy-conference/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p>On November 16, 2007, I had the pleasure of attending the <a href="http://community.som.yale.edu/philanthropy/">3rd Annual Yale School of Management Philanthropy Conference</a>, an ambitious event that included a total of seven panels, three guest speakers, and multiple receptions. The all-volunteer student organizing team did a great job, and I was glad to be involved as the coordinator of one of the panels. The event kicked off with a presentation from Courtney Bourns, director of programs at <a href="http://www.geofunders.org/home.aspx">Grantmakers for Effective Organizations</a>. <span id="fullpost">Courtney&#8217;s talk was excellent, and I was surprised and pleased that much of it resonated with opinions I&#8217;ve expressed on this blog and elsewhere. Her main theme was that foundations are most effective when they <span style="font-weight: bold;">listen</span> to the organizations they are funding&#8211;that is, when they allow the organizations on the ground to be the experts. I see foundations&#8211;especially those funding the arts&#8211;as being fundamentally in an enabling role, not a controlling one. Overwhelmingly, nonprofits have been clamoring for more general operating support (GOS), more multiyear support, and less restriction on how the money can be used. The first and third of these go hand in hand&#8211;general operating, for the non-insiders reading this, basically means the same thing as unrestricted. In practice, most &#8220;general operating&#8221; grants go to pay for boring things like utility bills and salaries for the development staff, since a nonprofit&#8217;s programs are usually paid for by grants that have been awarded for those projects specifically. However, it doesn&#8217;t have to be this way&#8211;if more foundations were willing to provide GOS, then some of that money could be used to support programs. This would be a wonderful thing for nonprofits because it would allow them to allocate program budgets more flexibly, accommodating actual present-day realities instead of being constrained by projections that may have been made years earlier or under different leadership. The multiyear support is important for the following reason: if you fund an organization year in and year out, but you make them reapply each time, what do you think that does to their development costs? That&#8217;s right, they go up. The more time that organization has to spend cultivating, applying for, and reporting on your grant, the more your investment is getting sucked up by overhead. As much as I love them, I&#8217;m pretty sure that the mission of most nonprofits is not to provide job opportunities for fundraising professionals. So, the more unnecessary steps the funders can remove from the process, the more efficient their grantmaking will be.</p>
<p>Next up was the panel that I organized, entitled &#8220;Funder/Grantee Relationships.&#8221; We were joined by five panelists: Kim Healey from the <a href="http://www.newalliancebank.com/about/community_foundation.aspx">NewAlliance Bank Foundation</a>, Barbara Strauss from <a href="http://www.cliffordbeers.org/">Clifford Beers Clinic</a>, Sarah Fabish and Lillian Cruz from the <a href="http://www.cfgnh.org/">Community Foundation of  Greater New Haven</a>, and Deb Stewart from the <a href="http://www.theconsultationcenter.org/">Consultation Center</a>. Beth Daponte, who teaches the Program Evaluation class at SOM, served admirably as moderator. The conversation built upon the themes of Courtney Bourns&#8217;s talk, exploring the balance between grantmakers&#8217; and grantseekers&#8217; needs in program evaluation. One issue Healey mentioned was that, as a corporate funder, multiyear grants did not make sense for NewAlliance because the foundation could not necessarily predict its budget from year to year. Nevertheless, the representatives from both funding organizations acknowledged the difficulties an overly complicated evaluation system could produce, for funder as well as grantee (it does no one any good to have stacks of unread reports taking up space in the office). For her part, Barbara Strauss of Clifford Beers said that the evaluation process had improved discipline enormously at her organization. CFGNH adopted a new evaluation system last fall incorporating several levels and methods. Some of the innovations, as I understood them, include asking grantees to evaluate the impact of a grant two to three years afterwards, instead of directly following the period of support; commissioning formal studies evaluating groups of organizations for the purpose of knowledge sharing; and hiring an outside firm to document a grant&#8217;s impact while it&#8217;s happening.<span style="font-size:100%;"> </span>Sarah Fabish added that CFGNH’s evaluation process includes a site visit, an important component that helps identify great projects that may not have looked so good on paper.<span style=";font-family:&quot;;font-size:100%;"  ></span></p>
<p>While there are many positives to evaluation, Prof. Daponte encouraged the panelists to comment on the pitfalls as well. The main issue mentioned, as before, was capacity. Ms. Cruz allowed that funders are often not so good at determining the cost of a new requirement in their process, and often that cost is paid for by the grantee. Ms. Strauss revealed that her organization simply does not apply to grant opportunities if it knows that the organizational strain will not be worth the potential benefits. (This was also something that I encountered at my last job.) The bottom line, as Deb Stewart put it, is that funders need to decide how they want the staff at the grantee organizations to spend their time. It may not always be possible to have systems that are both appropriate to the scale of the organization and truly state-of-the-art.</p>
<p>Ultimately, the panelists agreed, these tensions and opportunities are best explored in the context of a close and candid funder/grantee relationship. Funders need to be clear about their goals and expectations, while grantees need to feel empowered to speak up when a requirement may be causing more harm than good. When both conditions are achieved, the potential for an optimal solution is enormously increased.</p>
<p>I&#8217;ll post part II of the wrap-up, covering the remainder of the conference, in a few days.</span></p>
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		<title>Philanthropy Conference</title>
		<link>https://createquity.com/2007/11/if-youre-in-or-around-new-haven-yale/</link>
		<comments>https://createquity.com/2007/11/if-youre-in-or-around-new-haven-yale/#respond</comments>
		<pubDate>Sat, 10 Nov 2007 19:42:00 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Philanthropy]]></category>
		<category><![CDATA[business school]]></category>
		<category><![CDATA[conferences and talks]]></category>
		<category><![CDATA[evaluation]]></category>
		<category><![CDATA[musicking]]></category>
		<category><![CDATA[Yale SOM Philanthropy Conference]]></category>

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		<description><![CDATA[If you&#8217;re in or around New Haven, Yale SOM&#8217;s 3rd annual Philanthropy Conference is coming up next Friday, and I&#8217;m putting together the panel called &#8220;Funder/Grantee Relationships&#8221; that will feature pairs of funders and grantee organizations talking about how the evaluation process has been shaped over time. We have a great all-local lineup for this<a href="https://createquity.com/2007/11/if-youre-in-or-around-new-haven-yale/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://community.som.yale.edu/philanthropy/"><img decoding="async" style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_jSTeDrbLy7I/RzX75JOpXWI/AAAAAAAAAAc/DaM2wmwVSHA/s400/philanthropy_logo_small.jpg" alt="" id="BLOGGER_PHOTO_ID_5131284309607013730" border="0" /></a>If you&#8217;re in or around New Haven, Yale SOM&#8217;s 3rd annual <a href="http://community.som.yale.edu/philanthropy/">Philanthropy Conference</a> is coming up next Friday, and I&#8217;m putting together the panel called &#8220;Funder/Grantee Relationships&#8221; that will feature pairs of funders and grantee organizations talking about how the evaluation process has been shaped over time. We have a great all-local lineup for this panel including Kim Healey, executive director of the <a href="http://www.newalliancebank.com/about/community_foundation.aspx">NewAlliance Foundation</a>; Barbara Strauss from the <a href="http://www.cliffordbeers.org/">Clifford Beers Clinic</a>; Sarah Fabish from the <a href="http://www.cfgnh.org/">Community Foundation of Greater New Haven</a>; and Deb Stewart from <a href="http://www.theconsultationcenter.org/">The Consultation Center</a>. Click on the pic to learn more about the conference and registration.</p>
<p>Also, my first post-NYC choral performance is coming up on Monday, as I&#8217;ll be singing some tunes with the Yale Repertory Chorus at Battell Chapel at 5pm. This group is one of two paid ensembles that support the choral conducting students at Yale. The chorus sounds quite good and the performance is free.</p>
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		<title>Thoughts on Effective Philanthropy: Part I – The Nature of the Arts and their Impact</title>
		<link>https://createquity.com/2007/10/thoughts-on-effective-philanthropy-part/</link>
		<comments>https://createquity.com/2007/10/thoughts-on-effective-philanthropy-part/#comments</comments>
		<pubDate>Wed, 31 Oct 2007 07:08:00 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Economy]]></category>
		<category><![CDATA[Philanthropy]]></category>
		<category><![CDATA[Policy & Advocacy]]></category>
		<category><![CDATA[evaluation]]></category>
		<category><![CDATA[measurement in the arts]]></category>
		<category><![CDATA[thoughts on effective philanthropy series]]></category>
		<category><![CDATA[Yale SOM Philanthropy Conference]]></category>

		<guid isPermaLink="false">https://createquity.com/2007/10/thoughts-on-effective-philanthropy-part-i-%e2%80%93-the-nature-of-the-arts-and-their-impact.html</guid>
		<description><![CDATA[Note: This is the first of a multipart series on the arts and philanthropy. I hope these ideas are of interest and welcome suggestions and feedback. To view the rest of this series, click here. Measuring impact is a hot topic in the nonprofit world right now, if the title of the 3rd Annual SOM<a href="https://createquity.com/2007/10/thoughts-on-effective-philanthropy-part/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p><em>Note: This is the first of a multipart series on the arts and philanthropy. I hope these ideas are of interest and welcome suggestions and feedback. To view the rest of this series, click <a href="https://createquity.com/search/label/thoughts%20on%20effective%20philanthropy%20series">here</a>.<br />
</em></p>
<p class="MsoNormal">Measuring impact is a hot topic in the nonprofit world right now, if the title of the 3<sup>rd</sup> Annual <a href="http://community.som.yale.edu/philanthropy/">SOM Philanthropy Conference</a>, “Achieving Effectiveness In Philanthropy,” is any indication. Understandably, foundations want to have confidence that their money is being used effectively by the organizations they entrust it to. Furthermore, many staffers and donors in the field come from corporate backgrounds where a premium is placed on deliverables and results, and hope to apply the discipline contained within that culture to the nonprofit sector. In many ways this is a good thing: nonprofits are notorious for inefficiency and amateurish management, and by developing extensive evaluation techniques foundations hope to lead the way toward a more accountable, professional future.</p>
<p><span id="fullpost"> </span></p>
<p class="MsoNormal">Here’s the rub, though: measuring effectiveness in the arts is a different animal altogether than measuring effectiveness in other program areas, like healthcare or social justice. To illustrate why, let’s take a step back for a moment and think about the differences between the for-profit and non-profit sectors in general. In most cases, the primary goal of a for-profit company is to maximize value for its shareholders by selling a product to consumers. From the outsider’s perspective, then, the focus of the company is on the product. In other words, when we think about Microsoft, we think about Windows. When we think about Starbucks, we think about coffee. Now, what about nonprofit organizations? I would argue that the focus there is not on the <em>product</em> so much as the <em>customer</em>—broadly defined as the recipient of the organization’s services. Take a support group for people with AIDS, for example. Again, from a total outsider’s perspective, the most important thing is not what they’re doing (i.e., the specific programs or services they offer) but who they’re doing it for. When I think about Greenpeace, the first thing that comes to mind is not the specific programs or initiatives they operate—it’s the environment.</p>
<p class="MsoNormal">In most nonprofit disciplines, funding agencies primarily work with mission-driven service organizations. These are nonprofits that exist in order to improve infrastructure, advocate for interest groups—in short, to correct or alleviate a perceived problem in society. With such organizations, measuring effectiveness can be defined fairly concretely, say in the number of meals served at a soup kitchen or in the passage (or not) of particular legislation that a group was pushing in the local government. Of course there’s more complexity to it than that, but the point is that mission-driven organizations in non-arts fields can generally be evaluated relatively easily and accurately using quantitative and/or results-focused methods.</p>
<p class="MsoNormal">The arts, on the other hand, are a field primarily comprised of organizations that produce a product for consumption, much like for-profit companies. In fact, they are basically for-profit companies without the profit. Their value to society (and selling pitch to funders) presumably lies in their ability to bring products to market that would not have otherwise seen the light of day; otherwise, why fund them at all? However, this definition of value doesn’t match up so well with our traditional notions of social responsibility and moral imperative. Think about it this way: if a mission-driven nonprofit were to be wildly successful, so successful that it had entirely solved the problem it was created to address, it would have no choice but to shut down. For presenters, museums, galleries, ensembles, and the like, there is no such consideration: wild success is merely an invitation and an opportunity for <em>more </em>activity. And why shouldn’t it be? Arts organizations, much as they might like to believe otherwise, don’t <em>really </em>exist to solve some urgent problem in society. At some level, like for-profit companies, they are self-serving: they promote the art itself (the product) rather than who experiences the art (the customer). As a result, making an argument to donors for support of the arts can be exceedingly difficult, and the arts sometimes take a back seat to other priorities in the philanthropic arena.</p>
<p class="MsoNormal">That doesn’t mean that there is no argument to be made, however. For me, the role of the arts in a creative society is to define a space in our lives in which the impossible becomes possible. The arts are about celebrating and honoring creativity and innovation for their own sake, not as a means to an end such as financial gain. They need support precisely because a constraint of income inevitably constrains imagination, and the whole point of the arts is to see what happens when imagination runs wild.</p>
<p class="MsoNormal">Beyond that, however, the arts can be extremely useful to society. This can be seen perhaps most dramatically in the network effects that artists help create when they congregate in undervalued urban neighborhoods (<a href="http://en.wikipedia.org/wiki/Williamsburg,_Brooklyn#Rise_of_the_Arts_Community">Williamsburg in Brooklyn</a> being a prime example). As an educational tool, the arts have applications in everything from grade-school math to graduate-level management. Not to mention that there are increasing synergies all the time between traditional arts fields and highly creative commercial enterprises such as graphic design, video games, motion pictures, and so on. The arts, in no small way, serve as R&amp;D for society—they provide a leading edge from which other sectors draw inspiration. Their influence “trickles down” into popular culture through numerous intermediaries, providing jobs and creative fulfillment for many in the process. The true impact of the arts is thus difficult to measure properly. For example, my experimental rock band <a href="http://www.capitalm.org/capitalm.htm">Capital M</a> was made possible in no small part by the money the American Music Center received from the likes of the Hewlett and Mellon Foundations to pay my salary every year. Yet those organizations have no way of accounting for those kinds of residual second- and third-generation ripples created by their investments.</p>
<p class="MsoNormal">So how can we go about measuring—or even defining—the impact that we want the arts to have? I’ll explore that question in my next installment, Philanthropy and Experimentation.</p>
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