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	<description>The most important issues in the arts...and what we can do about them.</description>
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		<title>Createquity Podcast Series 3: Is Television Bad For Us?</title>
		<link>https://createquity.com/2016/09/createquity-podcast-series-3-is-television-bad-for-us/</link>
		<comments>https://createquity.com/2016/09/createquity-podcast-series-3-is-television-bad-for-us/#respond</comments>
		<pubDate>Thu, 22 Sep 2016 12:01:00 +0000</pubDate>
		<dc:creator><![CDATA[Michael Feldman]]></dc:creator>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[disparities of access]]></category>
		<category><![CDATA[diversity]]></category>
		<category><![CDATA[economic disadvantage and the arts]]></category>
		<category><![CDATA[health and wellbeing]]></category>
		<category><![CDATA[leisure time]]></category>
		<category><![CDATA[podcast]]></category>
		<category><![CDATA[socioeconomic status]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[TV]]></category>

		<guid isPermaLink="false">https://createquity.com/?p=9338</guid>
		<description><![CDATA[The latest podcast from Createquity and Fractured Atlas looks at the effect of television on our lives, our communities, and our creative work.]]></description>
				<content:encoded><![CDATA[<div id="attachment_9344" style="width: 570px" class="wp-caption aligncenter"><img fetchpriority="high" decoding="async" aria-describedby="caption-attachment-9344" class="wp-image-9344" src="https://createquity.com/wp-content/uploads/2016/09/6955579429_87d56559c8_k-300x200.jpg" alt="Image: “Gogbot,” Installation at the Gogbot Media Art Festival in Enschede. By Flickr user Ineke" width="560" height="373" srcset="https://createquity.com/wp-content/uploads/2016/09/6955579429_87d56559c8_k-300x200.jpg 300w, https://createquity.com/wp-content/uploads/2016/09/6955579429_87d56559c8_k-768x512.jpg 768w, https://createquity.com/wp-content/uploads/2016/09/6955579429_87d56559c8_k-1024x683.jpg 1024w, https://createquity.com/wp-content/uploads/2016/09/6955579429_87d56559c8_k.jpg 2048w" sizes="(max-width: 560px) 100vw, 560px" /><p id="caption-attachment-9344" class="wp-caption-text">Image: “Gogbot,” Installation at the Gogbot Media Art Festival in Enschede. By Flickr user Ineke</p></div>
<p>Happy fall television premiere week! The <a href="http://fracturedaltas.org" target="_blank">Fractured Atlas</a> and Createquity teams are back with a third installment of the Createquity podcast, with a new series on television and our wellbeing.</p>
<p>Public conversations about television and the arts have tended to pit one against the other. If television wasn’t saving the arts by connecting them to a wide and public audience, it was killing them by advancing popular culture over ‘serious’ fare. While some celebrated the arts on television as encouraging live attendance, others worried it discouraged such attendance by serving as a substitute. From a public health standpoint, we can also be concerned by <a href="https://createquity.com/2015/11/capsule-review-do-the-psychosocial-risks-associated-with-television-viewing-increase-mortality/" target="_blank">research</a> associating heavy television-watching with conditions like obesity and early death — would we be both healthier and happier attending and participating in “traditional” art forms rather than staying home in front of the television?</p>
<p>Even in the age of digital communications — of broadcast and cable and wifi, oh my — we often miss the larger conversation about the box: television is culture. It conveys visual and narrative human expression, it employs and animates artists, reaches a massive audience every day, and it can even be a tool for social change. And — spoiler alert— people really enjoy watching television…a lot of television.</p>
<p>So what are the <a href="https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession/" target="_blank">implications of “television as culture</a>?” And how do they frame and inform the trajectory of artists, arts organizations, audiences, and all the others supporting and advancing artistic work? These episodes will explore the scope, scale, sources, and substance of contemporary television; consider its social, civic, and health effects; and discover it as a medium where artists and audiences find each other and even as a vehicle for artist and youth empowerment.</p>
<p>This follows our previous podcast: <a href="https://createquity.com/2016/08/createquity-podcast-series-2-the-cost-of-being-creative/" target="_blank">The Cost of Being Creative</a>.</p>
<p><strong>Episode 1</strong>:</p>
<p>Guest Louise Geraghty (bio below) provides a quick rundown of the <a href="https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession/" target="_blank">research</a> Createquity has done on this topic. Hear about the impact television may have on our personal health and happiness. Is heavy TV watching in the same category as soda/junk food when it comes to possibly needing some regulation?</p>
<p><iframe title="Is Television Bad For Us? (Ep. 1) by Createquity Podcast" width="500" height="400" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F283954668&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500"></iframe></p>
<p><em>(Click <a href="https://soundcloud.com/user-198354022/is-television-bad-for-us-ep-1">here</a> to listen to the episode if you&#8217;re reading this via email.)</em></p>
<p><strong>Episode 2</strong>:</p>
<p>Guest Qui Nguyen (bio below) talks to us about his experience in both the theatre and television worlds. Hear about how he feels the two industries interact and impact the health of the overall arts industry. Can television be a stable and even desirable form of employment for creative artists?</p>
<p><iframe title="Is Television Bad For Us? (Ep. 2) by Createquity Podcast" width="500" height="400" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F283957691&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500"></iframe></p>
<p><em>(Click <a href="https://soundcloud.com/user-198354022/is-television-bad-for-us-ep-2">here</a> to listen to the episode if you&#8217;re reading this via email.)</em></p>
<p><strong>Episode 3</strong>:</p>
<p>Guest Rebecca Yenawine (bio below) explains how she uses television media to engage low-socioeconomic-status youth in the Baltimore area. Hear about the impact she feels media has on the health of our communities.</p>
<p><iframe loading="lazy" title="Is Television Bad For Us? (Ep. 3) by Createquity Podcast" width="500" height="400" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F283957859&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500"></iframe></p>
<p><em>(Click <a href="https://soundcloud.com/user-198354022/is-television-bad-for-us-ep-3">here</a> to listen to the episode if you&#8217;re reading this via email.)</em></p>
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<h3 class="section-divider layoutSingleColumn">The Host</h3>
<p><img loading="lazy" decoding="async" class="progressiveMedia-image js-progressiveMedia-image alignleft" src="https://cdn-images-1.medium.com/max/600/1*sSjqsh4ozgmX4mQkva0_4A.jpeg" alt="" width="150" height="150" data-src="https://cdn-images-1.medium.com/max/600/1*sSjqsh4ozgmX4mQkva0_4A.jpeg" /><strong>E. Andrew Taylor, Host</strong><br />
Andrew Taylor thinks (a bit too much) about organizational structure, strategy, and management practice in the nonprofit arts. An Associate Professor of Arts Management at American University in Washington, DC, he shares what he learns at “<a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fwww.artfulmanager.com" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fwww.artfulmanager.com">The Artful Manager</a>.”</p>
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<h3 class="graf--h3 graf--first">The Guests</h3>
<p><img loading="lazy" decoding="async" class="alignleft" src="https://www.osibaltimore.org/wp-content/uploads//Rebecca-Yenawine_avatar-160x160.jpg" alt="" width="150" height="150" /><strong>Rebecca Yenawine | Executive Director, New Lens</strong><br />
Rebecca Yenawine has been founder and director a community arts organizations since 1997. In her current work as Director at New Lens she advises young people in running their own organization and supports their creative endeavors. As a part of New Lens she advises teens and young adults in media production and takes part in over ten productions per year. Films include work about criminal justice, education and health related issues. Her pieces have been accepted into the Maryland Film Festival, the Media that Matters Film Festival and many other smaller festivals. She has experience in making videos for numerous nonprofit entities from Johns Hopkins University to the Baltimore City Health Department. Rebecca also works as consultant with Teachers’ Democracy Project where she helps teachers use media as a tool for change. She is adjunct faculty member at the Maryland Institute College of Art (MICA) in the Masters of Community Art Program where she teaches community art research. She has worked in partnership with MICA on community arts research and evaluation since 2009. Rebecca has a BA in English from Goucher College and a master’s degree from the Johns Hopkins School of Education. In 1999, Ms. Yenawine was the recipient of a Community Fellowship Award from the Open Society Institute. She has published articles through the CAN Network and the Nathan Cummings Convening. She has presented and been part of panel discussions on numerous occasions at Baltimore City Colleges and other civic institutions.</p>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-9361 size-thumbnail" src="https://createquity.com/wp-content/uploads/2016/09/QuiNguyen2015-150x150.jpg" alt="quinguyen2015" width="150" height="150" srcset="https://createquity.com/wp-content/uploads/2016/09/QuiNguyen2015-150x150.jpg 150w, https://createquity.com/wp-content/uploads/2016/09/QuiNguyen2015-32x32.jpg 32w, https://createquity.com/wp-content/uploads/2016/09/QuiNguyen2015-64x64.jpg 64w, https://createquity.com/wp-content/uploads/2016/09/QuiNguyen2015-96x96.jpg 96w, https://createquity.com/wp-content/uploads/2016/09/QuiNguyen2015-128x128.jpg 128w" sizes="auto, (max-width: 150px) 100vw, 150px" /><strong>Qui Nguyen | Theatre and Television Writer</strong><br />
Qui Nguyen is a playwright, TV/Film writer, and Co-Founder of the OBIE Award-winning Vampire Cowboys of NYC. His work, known for its innovative use of pop-culture, stage violence, puppetry, and multimedia, has been called “Culturally Savvy Comedy” by The New York Times, “Tour de Force Theatre” by Time Out New York, and “Infectious Fun” by Variety.He is a member of the WGA, The Dramatists Guild, The Playwrights Center, Ensemble Studio Theatre, The Ma-Yi Writers Lab and a proud alumnus of New Dramatists and Youngblood. Currently, Qui’s at work on new plays for South Coast Rep/Manhattan Theatre Club (The Vietgone Saga), The Atlantic (Untitled Qui Nguyen Project), and Oregon Shakespeare Festival (The Tale of Kieu). For television, he’s written for Peg+Cat (PBS) and the upcoming SYFY thriller, Incorporated. He’s currently a writer for Marvel Studios.</p>
<p><img loading="lazy" decoding="async" class="alignleft" src="https://createquity.com/wp-content/uploads/2015/03/Geraghty-Headshot.png" alt="" width="150" height="150" /><strong>Louise Geraghty  | Research Manager</strong><br />
Louise Geraghty is a Project Manager at the University of Chicago Crime Lab, where she works closely with Chicago&#8217;s Department of Family and Support Services to manage and evaluate a randomized control trial of the city&#8217;s One Summer Chicago Plus summer jobs program. She is a recent graduate of the University&#8217;s Harris School of Public Policy, where she held research related internships at the University&#8217;s Arts and Public Life Initiative and the Urban Education Institute. Louise has previously worked in fundraising at Steppenwolf Theatre Company and in program management at Artist Corps New Orleans.</p>
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<h3 class="graf--h3 graf--first">The Team</h3>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-9351 size-thumbnail" src="https://createquity.com/wp-content/uploads/2016/09/Ian-David-Moss-Headshot-150x150.jpg" alt="ian-david-moss-headshot" width="150" height="150" /><b>Ian David Moss | Executive Producer</b><br />
Ian David Moss is the founder and CEO of Createquity, a virtual think tank and online publication investigating the most important issues in the arts and what we can do about them. As Vice President for Strategy and Analytics<br />
for Fractured Atlas, Ian works with his own organization and the wider field to promote a culture of learning and assessment and support informed decision-making on behalf of the arts. Evidence-based strategic frameworks that he helped create have guided the distribution of nearly $100 million in grants to date by some of the nation’s most important arts funders. In addition to Createquity, Ian founded the Cultural Research Network, an open resource-sharing forum for self-identified researchers in the arts, and C4: The Composer/Conductor Collective. He holds BA and MBA degrees from Yale University and is based in Washington, DC.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-9363" src="https://createquity.com/wp-content/uploads/2016/09/Malcolmheadshot.jpg" alt="malcolmheadshot" width="150" height="150" /><strong>Malcolm Evans | Producer</strong><br />
Malcolm Evans is a Program Associate at Fractured Atlas. He graduated from Trinity College (Hartford) in 2013 with a Bachelor of Arts in Theater &amp; Dance. He also carries a minor in Studio Arts and has studied with the London Dramatic Academy Program. When he’s not hard at work at Fractured Atlas, he is hard at work at home, writing screenplays. Follow him on social media @malxavi.</p>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-9356 size-thumbnail" src="https://createquity.com/wp-content/uploads/2016/09/mfeldman@mfeldman.net-1-4-copy-150x150.jpeg" alt="mfeldmanmfeldman-net-1-4-copy" width="150" height="150" /><strong>Michael Feldman | Assistant Producer</strong><br />
Michael Feldman provides strategic and engagement advice to local and international arts organizations. Based in Washington, D.C., he also serves as a board member of the Alliance for a New Music Theatre. Michael is a former cultural attaché and diplomat whose experience bridges the arts, development, and public policy worlds. Michael was a director at PEPFAR, the President’s Emergency Fund for AIDS Relief; a director for Europe and Central Asia at the Office of the U.S. Trade Representative; and professional staff of theBudget Committee of the U.S. Senate as part of a fellowship with theAmerican Political Science Association. At the US State Department, Michael served in Europe and Central Africa; he oversaw assistance for the Balkans; and he negotiated policy with theOrganization for Economic Cooperation and Development(OECD), the G-7/8 process, and the European Union. Michael graduated from Wesleyan University with a BA in Economics and speaks German, Czech, French and Italian.</p>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-9352 size-thumbnail" src="https://createquity.com/wp-content/uploads/2016/09/Katherine-Gressel-Headshot-150x150.jpg" alt="katherine-gressel-headshot" width="150" height="150" /><strong>Katherine Gressel | Assistant Producer</strong><br />
Katherine Gressel is an NYC-based freelance artist, curator and writer focused on site‐specific and community art. She was a 2011 Createquity Writing Fellow and now helps spearhead new public programming for the organization. She has also published and presented with Americans for the Arts’ Public Art Network and Public Art Dialogue, among others. Katherine is currently the Contemporary Curator at Brooklyn’s Old Stone House, and has also curated for Brooklyn Historical Society, FIGMENT, No Longer Empty, and NARS Foundation. Katherine has painted community murals internationally and exhibited her own artwork throughout NYC, and currently runs an award-winning business, Event Painting by Katherine, creating live paintings of private events. Katherine has also held programming, grantwriting and teaching artist jobs and internships at such organizations as Smack Mellon, Arts to Grow, Creative Time and theBrooklyn Museum. Katherine earned her BA in art from Yale and MA in arts administration from Columbia.</p>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-9364 size-thumbnail" src="https://createquity.com/wp-content/uploads/2016/09/jasonheadshot-150x150.jpg" alt="jasonheadshot" width="150" height="150" /><strong>Jason Tseng | Engineer</strong><br />
Jason Tseng has devoted his professional and personal life to empowering ordinary people to make extraordinary change. Splitting his time between serving the arts and queer communities of color, he has worked for organizations like Theatre Communications Group, Gay Lesbian Alliance Against Defamation (GLAAD), and currently serves on the steering committee and chair emeritus of GAPIMNY, the second oldest queer Asian community organization in the nation. Jason currently serves as the Community Engagement Specialist at Fractured Atlas, a nonprofit technology company that serves artists. Before moving to New York, he grew up outside Washington, D.C., in Maryland and graduated from the University of Richmond studying Women, Gender, &amp; Sexuality Studies and Theatre. In his spare time, Jason creates plays, stories, comics, and illustrations (usually about queer people and people of color). He now lives in Long Island City with his fiancé and their rabbit, Turnip Cake.</p>
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<h3 id="1e24" class="graf--h3 graf--first">Other Suggested Reading</h3>
<div><a href="https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession/" target="_blank">Is the Arts the Answer to our TV Obsession?</a><br />
<a href="https://createquity.com/2015/05/why-dont-they-come/">Why Don&#8217;t They Come?</a></div>
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		<title>Notes to &#8220;Are The Arts The Answer to Our TV Obsession?&#8221;</title>
		<link>https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession-end-notes/</link>
		<comments>https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession-end-notes/#respond</comments>
		<pubDate>Mon, 22 Feb 2016 14:00:44 +0000</pubDate>
		<dc:creator><![CDATA[Louise Geraghty, Fari Nzinga and Ian David Moss]]></dc:creator>
				<category><![CDATA[Insider]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[disparities of access]]></category>
		<category><![CDATA[economic disadvantage and the arts]]></category>
		<category><![CDATA[kids]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[wellbeing]]></category>

		<guid isPermaLink="false">https://createquity.com/?p=8640</guid>
		<description><![CDATA[The following end notes accompany our article, &#8220;Are The Arts The Answer to Our TV Obsession?&#8221; published on February 22, 2016: (1) What we mean when we say “watching TV” When we talk about hours of television watched, we’re talking about self-reported hours; in other words, the amount of time an individual themselves assesses they watch<a href="https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession-end-notes/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p>The following end notes accompany our article, &#8220;<a href="https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession" target="_blank">Are The Arts The Answer to Our TV Obsession</a>?&#8221; published on February 22, 2016:</p>
<p><a name="Note1TV"></a><br />
<em><strong>(1) What we mean when we say “watching TV”</strong></em><br />
When we talk about hours of television watched, we’re talking about self-reported hours; in other words, the amount of time an individual themselves assesses they watch TV, regardless of whether they’re fully focused on the program or it’s on in the background.</p>
<p><a name="Note2Kids"></a><br />
<em><strong>(2) On TV and kids&#8217; health</strong></em><br />
Although this article focuses on adults, it&#8217;s worth noting that the health concerns about TV and its impact on physical health extend, of course, to children. One study finds that high-school-aged children who watch more than 3 to 4 hours of television per day are 36% more likely to report eating less than five fruits or vegetables per day, and 56% more likely to be overweight than their peers who watch less than two hours daily. Another suggests that low-income parents in particular may face stressors related to chronic financial hardship, like poor mental health or food insecurity, and that these stressors may influence their views of the importance of restricting screen time. This, in turn, may impact their children’s screen usage.</p>
<p><a name="Note3RA"></a></p>
<p><em><strong>(3) On our regression analysis</strong></em><br />
The General Social Survey (GSS) is a representative, national survey covering attitudinal, social, and demographic topics in the United States. In 2012, the GSS included a module asking respondents questions about their cultural participation. As we began our investigation, we wondered how arts attendance and television viewing would predict subjective wellbeing. We used data from the General Social Survey to descriptively explore the following questions:</p>
<ol>
<li>Holding income, condition of health, education level, gender, age, job satisfaction, and social engagements with friends and family constant, how does arts attendance and television predict wellbeing?</li>
<li>Using these same covariates, is there a difference in how television and arts attendance predicts wellbeing for respondents at different income quartiles?</li>
</ol>
<p>We used logistic regression analysis to descriptively explore these questions, the results of which are linked <a href="https://createquity.com/wp-content/uploads/2016/02/life_satisfaction_all_income_levels.pdf" target="_blank">here</a> for all income levels and <a href="https://createquity.com/wp-content/uploads/2016/02/life_satisfaction_income_quartiles.pdf" target="_blank">here</a> for income quartiles. Our dependent variable was respondents’ determination of how satisfied they are with their lives in response to the prompt below, where Strongly Disagree, Disagree, and Neither Agree nor Disagree were considered unsatisfied and Agree or Strongly Agree were considered satisfied.</p>
<p style="padding-left: 60px;">(Please tell me on a scale of 1 to 5 how much you agree or<br />
disagree with the following statements about your life. 1 means<br />
strongly disagree and 5 means strongly agree.)</p>
<p style="padding-left: 60px;">I am satisfied with my life.</p>
<p>Covariates included respondents’ assessment of their own health, household income level, age, gender, how often the respondent interacts with friends and relatives, job satisfaction, and education level. Note that because health was included as a control, the regression analysis measures the effect of TV on life satisfaction independent of its effects on health. However, since health does have a strong relationship to life satisfaction on its own, if TV makes people less healthy, it will presumably also make them less satisfied with their life.</p>
<p><a name="Note4Interviews"></a></p>
<p><em><strong>(4) On our anecdotal interviews</strong></em><br />
In order to hear the stories and better understand the viewing choices of low-SES adults who watch large amounts of television, Createquity interviewed nine individuals who self-identified as not having graduated college and reported watching at least five hours of TV a day. We recruited interviewees primarily by posting ads on craigslist in large cities like Washington D.C., Los Angeles, and Chicago, as well as in cities and small towns throughout the United States. . Interviewees were paid a small honorarium for their time. All respondents were women, and most had children at home. This portion of the investigation had two goals: 1) to add nuance and resonance to our findings from the literature review; and 2) to explore topics that were not addressed directly in the published research, such as reasoning behind viewing choices and the relationship between television viewing and arts participation.</p>
<h3>FULL BIBLIOGRAPHY</h3>
<p>The following sources were consulted during the development of this article:</p>
<p>Bowman, S. (2006). Television-viewing characteristics of adults: correlations to eating practices and overweight and health status. Preventing Chronic Disease, 3(2). Retrieved from <a href="http://www.ncbi.nlm.nih.gov/pubmed/16539779" target="_blank">http://www.ncbi.nlm.nih.gov/pubmed/16539779</a></p>
<p>Bruni, L., &amp; Stanca, L. (2008). Watching Alone: Relational goods, television, and happiness. Journal of Economic Behavior &amp; Organization, 65(3-4), 506–528. Retrieved from <a href="http://www.sciencedirect.com/science/article/pii/S0167268106002095" target="_blank">http://www.sciencedirect.com/science/article/pii/S0167268106002095</a></p>
<p>Cardwell, S. (2014). Television Amongst Friends: Medium, Art, Media. Critical Studies in Television: The International Journal of Television Studies, 9(3), 6–21. Retrieved from <a href="http://www.ingentaconnect.com/content/manup/cstv/2014/00000009/00000003/art00002">http://www.ingentaconnect.com/content/manup/cstv/2014/00000009/00000003/art00002</a></p>
<p>Dempsey, P., Howard, B., Lynch, B., Owen, N., &amp; Dunstan, D. W. (2014). Associations of television viewing time with adults’ well-being and vitality. Preventative Medicine. Retrieved from <a href="http://www.ncbi.nlm.nih.gov/pubmed/25230366" target="_blank">http://www.ncbi.nlm.nih.gov/pubmed/25230366</a></p>
<p>Dunstan, D., Barr, E., Healy, G., Shaw, J., Balkau, B., Magliano, D., Owen, N. (2010). Television viewing time and mortality: the Australian Diabetes, Obesity and Lifestyle Study (AusDiab). Circulation, 121(3), 384–91. Retrieved from <a href="http://www.ncbi.nlm.nih.gov/pubmed/20065160" target="_blank">http://www.ncbi.nlm.nih.gov/pubmed/20065160</a></p>
<p>Frey, Bruno S., Christine Benesch, and Alois Stutzer. 2007. “Does Watching TV Make Us Happy?” Journal of Economic Psychology 28: 283–313. Retrieved from <a href="https://www.bsfrey.ch/articles/459_07.pdf" target="_blank">https://www.bsfrey.ch/articles/459_07.pdf</a></p>
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		<title>Are The Arts The Answer to Our TV Obsession?</title>
		<link>https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession/</link>
		<comments>https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession/#comments</comments>
		<pubDate>Mon, 22 Feb 2016 14:00:42 +0000</pubDate>
		<dc:creator><![CDATA[Clara Inés Schuhmacher, Louise Geraghty, Fari Nzinga and Ian David Moss]]></dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[capability approach]]></category>
		<category><![CDATA[disparities of access]]></category>
		<category><![CDATA[diversity]]></category>
		<category><![CDATA[economic disadvantage and the arts]]></category>
		<category><![CDATA[health and wellbeing]]></category>
		<category><![CDATA[leisure time]]></category>
		<category><![CDATA[socioeconomic status]]></category>
		<category><![CDATA[television]]></category>
		<category><![CDATA[TV]]></category>

		<guid isPermaLink="false">https://createquity.com/?p=8639</guid>
		<description><![CDATA[Television can wreak havoc on the brain AND the body. But the people who watch it the most don't seem to mind.]]></description>
				<content:encoded><![CDATA[<h2>KEY TAKEAWAYS:</h2>
<ul>
<li><strong>Television is America’s national pastime.</strong> Adults spend an average of nearly three hours in front of the tube daily, outpacing the next most common leisure-time activity by a factor of four.</li>
<li><strong>There is surprisingly robust evidence suggesting TV watching may contribute to poor physical and cognitive health</strong>; when it comes to happiness and life satisfaction, however, the verdict is still out.</li>
<li><strong>Are people consciously choosing TV over other activities?</strong> There’s not a lot of evidence one way or another, but it doesn’t seem like most adults who watch large amounts of TV are doing so reluctantly.</li>
<li><strong>The arts are not the (obvious) antidote</strong>. People who attend exhibits and performances are no more likely to report being satisfied with their lives than those who don’t.</li>
<li><strong>We value adults’ freedom to make their own choices</strong>, so will need to see clearer evidence for an opportunity to improve wellbeing before committing to a case for change.</li>
</ul>
<p style="text-align: center;">* * *</p>
<p><span id="more-8639"></span></p>
<div id="attachment_8654" style="width: 570px" class="wp-caption aligncenter"><a href="https://www.flickr.com/photos/carramanuele/843208579/"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-8654" class="wp-image-8654" src="https://createquity.com/wp-content/uploads/2016/02/843208579_dff5879afb_o-1024x626.jpg" alt="TV Slave - photo by flickr user Manuele Carra" width="560" height="343" srcset="https://createquity.com/wp-content/uploads/2016/02/843208579_dff5879afb_o-1024x626.jpg 1024w, https://createquity.com/wp-content/uploads/2016/02/843208579_dff5879afb_o-300x183.jpg 300w, https://createquity.com/wp-content/uploads/2016/02/843208579_dff5879afb_o-768x470.jpg 768w" sizes="auto, (max-width: 560px) 100vw, 560px" /></a><p id="caption-attachment-8654" class="wp-caption-text">TV Slave &#8211; photo by flickr user Manuele Carra</p></div>
<p>In 2014, First Lady Michelle Obama <a href="http://newsone.com/3062512/michelle-obama-and-turnipforwhat/" target="_blank">broke the internet</a> with “<a href="https://vine.co/v/OqJKZVQami9" target="_blank">Turnip for What</a>,” a vine promo for her <a href="http://www.letsmove.gov/" target="_blank">Let’s Move!</a> campaign. She’s <a href="http://www.huffingtonpost.com/2012/03/28/michelle-obama-the-biggest-loser_n_1386439.html" target="_blank">appeared on the Biggest Loser</a>. She has her own <a href="http://www.cnn.com/2015/04/06/politics/michelle-obama-easter-dance/" target="_blank">viral dance sensation</a>–the #GimmeFive, performed to Mark Ronson’s <em>Uptown Funk</em>. (<a href="http://www.letsmove.gov/blog/2015/04/02/have-you-learned-gimmefive-dance" target="_blank">You know it</a>, right?) And she’s encouraging Americans to drink more water through <a href="http://youarewhatyoudrink.org/media/" target="_blank">fun social media stunts</a> that appeal to our egos (hello, <a href="https://www.youtube.com/watch?time_continue=12&amp;v=jI7NGpae8R0" target="_blank">John Legend</a>) and a <a href="http://www.instyle.com/news/these-designers-are-helping-michelle-obama-make-hydration-chic" target="_blank">line of chic accessories</a> from the likes of J. Crew and Rebecca Minkoff. (Not to be outdone, POTUS and VPOTUS have been known to <a href="http://www.theguardian.com/world/video/2014/feb/28/barack-obama-joe-biden-run-jog-white-house-video" target="_blank">run around the White House and drink water</a>, too.)</p>
<p>No, she’s not trying to be the next pop star. (Though we would totally buy her record.) She has a mission, and that’s to stem the obesity epidemic in the United States. The situation is, <a href="http://stateofobesity.org/files/stateofobesity2015.pdf#page=7" target="_blank">by all accounts</a>, dire: <a href="http://www.cdc.gov/obesity/data/adult.html" target="_blank">17% of children and almost 35% of adults are currently considered obese</a>, and those numbers are <a href="http://www.cdc.gov/obesity/data/prevalence-maps.html" target="_blank">worse among individuals with lower incomes and less education</a> (so-called “low-SES” populations). Almost <a href="http://www.diabetes.org/diabetes-basics/statistics/cdc-infographic.html" target="_blank">one in eleven adults has type 2 diabetes</a>, and many more have prediabetes. Obesity is bad for our wallet: the US spends an estimated <a href="http://stateofobesity.org/healthcare-costs-obesity/" target="_blank">$147 billion</a> in obesity-related healthcare expenses annually. It’s bad for the environment, too: <a href="http://www.reuters.com/article/us-obesity-idUSBRE83T0C820120430" target="_blank">cars are burning nearly a billion more gallons of gasoline a year than if passengers weighed what they did in 1960</a>.</p>
<p>FLOTUS is but one character in the ongoing obesity saga. The Food and Drug Administration appeared in 2014 with <a href="https://www.bostonglobe.com/lifestyle/2014/12/01/new-fda-rules-will-put-calorie-counts-menus/NcV6aDQYG73CswHGc3KGrM/story.html" target="_blank">new rules</a> requiring establishments to <a href="http://www.fda.gov/Food/IngredientsPackagingLabeling/LabelingNutrition/ucm436722.htm" target="_blank">post the calorie content of food on their menus</a>. It went even further in 2015, when it required <a href="http://www.fda.gov/Food/IngredientsPackagingLabeling/LabelingNutrition/ucm202726.htm" target="_blank">front-of-package labeling</a>. Former Mayor Mike Bloomberg <a href="http://www.nytimes.com/2014/06/27/nyregion/city-loses-final-appeal-on-limiting-sales-of-large-sodas.html" target="_blank">led a movement</a> in New York to reduce soda consumption by limiting the sale of jumbo sugary drinks, which re-ignited the debate around the so-called <a href="http://www.mayoclinicproceedings.org/article/S0025-6196(13)00128-6/fulltext" target="_blank">sin tax</a>. For more than a decade, public schools have battled youth junk food consumption with all sorts of methods: <a href="http://atlanta.cbslocal.com/2013/08/27/cdc-44-percent-of-us-school-districts-ban-junk-food-vending-machines/" target="_blank">removing vending machines</a>, imposing <a href="http://www.fns.usda.gov/tn/local-school-wellness-policy" target="_blank">strict guidelines for school nutrition</a>, and the Hail Mary move of <a href="http://dailysignal.com/2014/07/13/nanny-stater-week-needs-cupcakes-candy-pencil/" target="_blank">banning birthday cupcakes</a>.</p>
<div id="attachment_8656" style="width: 570px" class="wp-caption aligncenter"><a href="https://www.flickr.com/photos/tabor-roeder/6858775421"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-8656" class="wp-image-8656" src="https://createquity.com/wp-content/uploads/2016/02/6858775421_47a1f688a3_b-1024x585.jpg" alt="Let's Move Day - photo by flickr user Phil Roeder" width="560" height="320" srcset="https://createquity.com/wp-content/uploads/2016/02/6858775421_47a1f688a3_b.jpg 1024w, https://createquity.com/wp-content/uploads/2016/02/6858775421_47a1f688a3_b-300x171.jpg 300w, https://createquity.com/wp-content/uploads/2016/02/6858775421_47a1f688a3_b-768x439.jpg 768w" sizes="auto, (max-width: 560px) 100vw, 560px" /></a><p id="caption-attachment-8656" class="wp-caption-text">Let&#8217;s Move Day &#8211; photo by flickr user Phil Roeder</p></div>
<p>The junk food hullabaloo raises interesting questions about choice, and whether individuals can or do make good choices for themselves. Here, the work of <a href="http://www.amazon.com/Thinking-Fast-Slow-Daniel-Kahneman/dp/0374533555" target="_blank">leading psychologists, economists and neuroscientists</a> provides useful context: it is now widely accepted that most people make sense of the world by simplifying it, and the ways our brains are wired to simplify things can cause us to make judgments that are contrary to our best interests. There are a few reasons we might tend towards the simplify trap: <a href="http://www.damninteresting.com/hyperbolic-discounting/" target="_blank">hyperbolic discounting</a>, which is our tendency to value immediate pleasure (or pain) over future consequences; loss aversion, or the fact that we dislike losing more than we like winning, which can make us risk-averse; or our tendency to focus only on what we know and what’s familiar. The combination of these factors makes low-risk, familiar propositions offering immediate satisfaction very hard to turn down. If we grew up with juice boxes and oreos as a school snack, and the closest grocer is a corner bodega stocked with chips and soda, and, well, sugar and salt and fat are <em><a href="http://www.npr.org/sections/thesalt/2014/01/15/262741403/why-sugar-makes-us-feel-so-good" target="_blank">so good</a></em>, then of course we’d reach for cookies over carrots.</p>
<p>At this point, dear reader, you might be wondering why we have spent the first four paragraphs of an article about television and the arts talking about obesity. Well, as it turns out, TV (probably) makes you fat too.</p>
<h1 style="text-align: left;"><b>TUNE IN, DROP OUT</b></h1>
<p>Jamie K. is a 36-year-old from Fort Wayne, IN. She has a GED, and is unemployed. She likes to make jewelry and work on home improvement projects in her free time, which isn’t much, since she has three teenagers. She doesn’t go to arts events, because she doesn’t “have friends that are cultured, and it’s hard to go to things that [she] would find interesting by [herself].” She actively watches 10 hours of TV a day. Sonja B., a 57-year-old from Chicago, IL who is also unemployed, doesn’t attend arts events because they are usually in the evening, and she “wouldn’t want to go by [herself.]” She works out, and watches an average of 15 hours of TV, daily. Shantell T. is a 33-year-old administrative assistant from Washington DC. She watches 12 hours of TV on a typical day, and doesn’t consider herself to be a very “artsy” person.</p>
<p>In May of 2015, Createquity published <a href="https://createquity.com/2015/05/why-dont-they-come/" target="_blank">Why Don’t They Come?</a>, the first of many deep dives into the question of <a href="https://createquity.com/issue/disparities/" target="_blank">disparities of access to the benefits of the arts</a>. The article looked closely at arts participation patterns among poor and less educated individuals, and considered obstacles to attendance including logistical reasons, such as cost and access to transportation or childcare, as well as other factors like <a href="http://www.wallacefoundation.org/knowledge-center/audience-development-for-the-arts/strategies-for-expanding-audiences/Documents/Getting-Past-Its-Not-For-People-Like-Us.pdf" target="_blank">feeling excluded</a> and <a href="http://www.wallacefoundation.org/knowledge-center/audience-development-for-the-arts/strategies-for-expanding-audiences/Documents/Someone-Who-Speaks-Their-Language.pdf" target="_blank">not having a friend to take along</a>. (It is worth noting that many of the logistical reasons cited as obstacles to arts attendance are barriers to healthy eating as well. <a href="http://www.theatlantic.com/health/archive/2014/09/access-to-real-food-as-privilege/379482/" target="_blank">Cost and access in particular are blamed with the widening food gap between rich and poor</a>.)</p>
<p>What we discovered in the course of our research surprised us. While the aforementioned obstacles were certainly barriers, a lack of explicit interest was far and away the dominant factor keeping low-SES populations away from arts events.</p>
<div id="attachment_8657" style="width: 570px" class="wp-caption aligncenter"><a href="https://www.flickr.com/photos/29233640@N07/13466211243/"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-8657" class="wp-image-8657" src="https://createquity.com/wp-content/uploads/2016/02/13466211243_608a0d51dc_z.jpg" alt="That's What You Think - photo by flickr user Robert Couse-Baker" width="560" height="420" srcset="https://createquity.com/wp-content/uploads/2016/02/13466211243_608a0d51dc_z.jpg 640w, https://createquity.com/wp-content/uploads/2016/02/13466211243_608a0d51dc_z-300x225.jpg 300w" sizes="auto, (max-width: 560px) 100vw, 560px" /></a><p id="caption-attachment-8657" class="wp-caption-text">That&#8217;s What You Think &#8211; photo by flickr user Robert Couse-Baker</p></div>
<p><div class="pullquote">93% of Americans spend time in front of the tube on a typical day, and poor and less educated adults watch more than most: they spend twice as much time consuming television as on all other leisure activities combined, outpacing the next most common activity (socializing) by a factor of four.</div><br />
This is not to say that low-SES adults are not consuming cultural products. They are indeed consuming them in generous, perhaps even alarming, quantities–just in the form of television. Jamie, Sonja and Shantell are not alone: 93% of Americans spend time in front of the tube on a typical day, according to data from the 2012 <a href="http://gss.norc.org/" target="_blank">General Social Survey</a> (GSS). While almost everyone watches television, low-SES adults watch more than most. According to the Bureau of Labor Statistics’ <a href="http://www.bls.gov/tus/">American Time Use Survey</a>, individuals with less than a high school diploma spent 3.77 hours per weekday watching TV in 2013, <a href="http://www.bls.gov/news.release/archives/atus_06182014.pdf">almost double the TV hours consumed by those with a bachelor’s degree and higher</a>. (<a href="https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession-end-notes/#Note1TV">Note 1</a>) What’s more, these individuals spent twice as much time consuming television as on all other leisure activities combined, outpacing the next most common activity (socializing) by a factor of four. (You can dig into more such statistics <a href="https://createquity.com/2015/05/why-dont-they-come/#televisionstats" target="_blank">here</a>.)</p>
<p>Of all these statistics, one in particular stood out to us. Virtually alone among the activities we studied, television attracted <em>more</em> participation from poor and less educated adults rather than less. And on top of that, our analysis of GSS data suggested that <em>even within low-SES groups</em>, adults who don’t attend arts events watch even more TV than those who do. It seems possible that, whatever sustenance people are seeking from live arts attendance, the folks who don’t go are getting it (<a href="https://createquity.com/2015/05/why-dont-they-come-end-notes/#Note3" target="_blank">at least in part</a>) from the small screen.<br />
<div class="pullquote">Adults who don’t attend arts events watch even more TV than those who do. We were curious: are people going to be worse off on average watching TV instead of engaging in other, potentially more enriching, activities? Is there an opportunity here to improve wellbeing through the arts?</div><br />
TV has a lot going for it: it’s easier than ever to <a href="http://time.com/money/3767927/cable-tv-without-paying-bill/" target="_blank">watch what you want without paying for cable</a>, and content is increasingly available on-demand, on devices you likely already own. No one will <del>judge</del> know if you’re binge watching soaps solo, and with a whopping 409 original scripted television series <a href="http://variety.com/2015/tv/news/peak-tv-409-original-series-streaming-cable-1201663212/" target="_blank">available in the US in 2015</a> (hello, Peak TV), if you still can’t find something you’re interested in, then you likely never will. The numbers are not really that surprising: not one of the reasons interested non-attendees cited as obstacles to arts participation outside of the home seems to apply to television. In fact, there don’t seem to be many obstacles to consuming television at all.</p>
<p>Given the tendency to be distrustful of television, we were curious: are people going to be worse off on average watching TV instead of engaging in other, potentially more enriching, activities? Should this be an area of concern for our work here at Createquity? Is there an opportunity here to improve wellbeing through the arts?</p>
<h1 style="text-align: left;"><b>SMALL SCREEN, BIG CONSEQUENCES</b></h1>
<p>“It’s kind of a waste,” <a href="https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession-end-notes/#Note4Interviews" target="_blank">admits one of our interviewees</a>. “I’m not really doing anything when I’m sitting and watching TV.”</p>
<p>As it turns out, sitting and not really doing anything when you’re watching TV doesn’t bode well for your physical wellbeing. There is compelling evidence that increased hours spent watching television is associated with obesity, in part because of the sedentary lifestyle it promotes by crowding out time that could be spent on exercise. <a href="http://www.ncbi.nlm.nih.gov/pubmed/16539779">SA Bowman</a> looked at data from the <a href="http://www.ars.usda.gov/Main/docs.htm?docid=14531" target="_blank">USDA’s Continuing Survey of Food Intakes by Individuals</a> (CSFII), and found that men and women across demographic groups, including race, income, and educational status, were more likely to be overweight as their average hours of television viewing per day increased. Women who watched more than two hours of TV per day were 41.4% more likely to be obese than women who watch less than one hour a day. For men, that figure was 90.29%. <a href="http://www.indiana.edu/~k662/articles/role/sit%20risk%20Healy%202008.pdf" target="_blank">And it’s not just sitting that’s the problem</a>: even among healthy Australian adults who exercise at least 2.5 hours per week, watching TV is straight up <a href="http://www.indiana.edu/~k662/articles/role/sit%20risk%20Healy%202008.pdf#page=4" target="_blank">bad for the waistline</a>, with more hours watching TV per day was associated with increased blood pressure, waistline, and cholesterol levels. (<a href="https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession-end-notes/#Note2Kids">Note 2</a>)</p>
<p>Research has indicated that TV affects physical health in other ways as well⏤even to the point of shortening your lifespan. One team’s analysis of the 2008 General Social Survey-National Death Index dataset reveals that <a href="http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3662979/" target="_blank">each hour of TV watched per day is associated with a 4% increase in mortality risk</a>, amounting to an overall reduction of 1.2 years in total life expectancy due to television viewing in the US. A 2010 paper found an <a href="http://www.ncbi.nlm.nih.gov/pubmed/20065160" target="_blank">increased likelihood of all causes of mortality with more than 2 hours of television watched per day</a>. Yet a third paper finds that, compounding psychological factors aside, <a href="http://www.thelancet.com/journals/lancet/article/PIIS0140-6736%2804%2916675-0/abstract?cc=y=" target="_blank">TV may lend itself to an increased likelihood of smoking</a> (and we all know where the shoe drops there).</p>
<div id="attachment_8658" style="width: 570px" class="wp-caption aligncenter"><a href="https://www.flickr.com/photos/sklathill/505474838/"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-8658" class="wp-image-8658" src="https://createquity.com/wp-content/uploads/2016/02/505474838_a866983fd7_z.jpg" alt="Watching Zoolander - photo by flickr user Vincent Diamante" width="560" height="375" srcset="https://createquity.com/wp-content/uploads/2016/02/505474838_a866983fd7_z.jpg 640w, https://createquity.com/wp-content/uploads/2016/02/505474838_a866983fd7_z-300x201.jpg 300w" sizes="auto, (max-width: 560px) 100vw, 560px" /></a><p id="caption-attachment-8658" class="wp-caption-text">Watching Zoolander &#8211; photo by flickr user Vincent Diamante</p></div>
<p><div class="pullquote">One study found that women who watched more than two hours of TV per day were 41.4% more likely to be obese than women who watch less than one hour a day. For men, that figure was 90.29%.</div><br />
Spending significant time glued to the small screen is not just bad for your butt. It’s bad for your brain, too. Findings from a <a href="http://archpsyc.jamanetwork.com/article.aspx?articleid=2471270" target="_blank">longitudinal study</a> published in January 2016 suggest that watching television in early adulthood is linked with poor cognitive performance in midlife. As they aged, individuals with both low levels of physical activity and who watched three or more hours of television per day were increasingly likely to perform poorly on cognitive tests, even after taking demographic and health characteristics into account.</p>
<p>Are you doing some math in your head? (Your Favorite TV Shows x Total Viewing Hours) / Hours Watched Daily = Life Expectancy Reduction and Loss of Cognition? We did some math too, because there’s more to the brain than cognition. We ran a regression analysis on television and wellbeing using data from the 2012 General Social Survey. After controlling for variables including health, income level, education level, gender, age, and the frequency with which people interact with their friends and relatives, we found that increased hours of watching television is negatively associated with overall life satisfaction for people in the top three income quartiles, albeit only by a little bit. (Interestingly, we did not an association between television viewing and happiness for people with household incomes less than $25,000 per year). With a small sample and effect size and no ability to infer the direction of causality, we have to be careful not to push these results too far. Still, this descriptive analysis doesn’t do the case for TV any favors.</p>
<p>Others have investigated the relationship between watching a lot of television and one’s overall satisfaction with life (sometimes framed or referred to by scientists as subjective wellbeing). In their analysis of individual responses to the <a href="http://www.worldvaluessurvey.org/wvs.jsp" target="_blank">World Values Survey</a>, which includes data from 80 countries, researchers Luigino Bruni and Luca Stanca <a href="http://www.sciencedirect.com/science/article/pii/S0167268106002095" target="_blank">found that television “crowds out” other, more social, activities</a>–such as volunteering or spending time with friends and family–that are associated with higher life satisfaction. In the same study, they also suggest that increased hours spent watching television causes people to want higher incomes, which in turn creates unhappiness and low life satisfaction. According to Bruni and Stanca, TV is a part of a “relational treadmill” that induces people to measure their increase in happiness against that of their neighbors, instead of against their own experiences. Television, they argue, makes people want to consume more, inspired by both advertising and program content; unfortunately, by this metric, individuals will never achieve a real increase in happiness that corresponds to their increase in buying power. Some take issue with the way Bruni and Stanca classified countries in their methodology (see <a href="http://onlinelibrary.wiley.com/doi/10.1111/kykl.12022/abstract" target="_blank">here</a>), and at least <a href="http://www.sciencedirect.com/science/article/pii/S1053535710000892" target="_blank">one set of researchers</a> note that when considering heterogeneity <em>within</em> countries, people who watch television report higher levels of wellbeing than people who do not watch any television at all. Still, we likely can all point to an example of being sucked into the “relational treadmill” of consumption thanks to TV.</p>
<div id="attachment_8659" style="width: 570px" class="wp-caption aligncenter"><a href="https://www.flickr.com/photos/mermaid99/3006056852/"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-8659" class="wp-image-8659" src="https://createquity.com/wp-content/uploads/2016/02/3006056852_a63a3a2c40_z.jpg" alt="TV and your brain: Turin street art - photo by flickr user mermaid" width="560" height="420" srcset="https://createquity.com/wp-content/uploads/2016/02/3006056852_a63a3a2c40_z.jpg 500w, https://createquity.com/wp-content/uploads/2016/02/3006056852_a63a3a2c40_z-300x225.jpg 300w" sizes="auto, (max-width: 560px) 100vw, 560px" /></a><p id="caption-attachment-8659" class="wp-caption-text">TV and your brain: Turin street art &#8211; photo by flickr user mermaid</p></div>
<p><div class="pullquote">Two researchers found that, across the countries, increased hours spent watching television is associated with unhappiness and low life satisfaction.</div><br />
It’s not just the quantity but also the quality and type of programming that may be bad for subjective wellbeing. There is a significant body of research on whether and how viewers are directly affected by what they watch on television, and how that may inform the way that they think about the world. Studies show that television can be associated with shaping political contests, purchasing behavior, or increases in aggression or fear of being victimized. In an investigation of how local news influences perceptions of the likelihood of high-risk events, <a href="http://onlinelibrary.wiley.com/doi/10.1111/j.1460-2466.2003.tb03007.x/abstract" target="_blank">one study across three different datasets found</a> that people who watched local news frequently were more likely to think that they were at risk of criminal victimization than people who watched less local news. According to media and communications professor <a href="https://books.google.com/books?id=0iIbwhcu1r4C&amp;pg=PA6&amp;lpg=PA6&amp;dq=Psychologically+it+does+not+seem+plausible+that+our+assumptions,+images,+and+knowledge+of+the+world+portrayed+by+television+can+be+strictly+separated+from+our+assumptions,+images,+and+knowledge+of+everyday+life&amp;source=bl&amp;ots=Fgr4_RZjhs&amp;sig=BJnoLhgLWpdgMBtpzWEqGtDuMsQ&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwiB-ZjcpY7KAhUCQiYKHZeSBbIQ6AEIHTAA#v=onepage&amp;q=Psychologically%20it%20does%20not%20seem%20plausible%20that%20our%20assumptions%2C%20images%2C%20and%20knowledge%20of%20the%20world%20portrayed%20by%20television%20can%20be%20strictly%20separated%20from%20our%20assumptions%2C%20images%2C%20and%20knowledge%20of%20everyday%20life&amp;f=false" target="_blank">Sonia Livingstone</a>, television has a profound effect on the way that we perceive our everyday lives. She argues that the idea that people passively consume television without trying to make meaning of its contents is false, and that most viewers make deep connections to on-screen characters and stories that impact their daily realities. In her book <em><a href="http://www.amazon.com/Making-Sense-Television-Interpretation-International/dp/041518536X" target="_blank">Making Sense of Television</a></em>, she draws on the literature of audience interpretation, psychology, and literary criticism to discuss how audience members form parasocial relationships with characters on the small screen. Given the prevalence of television in our lives, she notes that “psychologically it does not seem plausible that our assumptions, images, and knowledge of the world portrayed by television can be strictly separated from our assumptions, images, and knowledge of everyday life.”</p>
<p><a href="https://createquity.com/wp-content/uploads/2016/02/the-risks-of-tv-1.png" rel="attachment wp-att-8693"><img loading="lazy" decoding="async" class="aligncenter wp-image-8702 size-large" src="https://createquity.com/wp-content/uploads/2016/02/the-risks-of-tv-1-475x1024.png" alt="" width="475" height="1024" srcset="https://createquity.com/wp-content/uploads/2016/02/the-risks-of-tv-1-475x1024.png 475w, https://createquity.com/wp-content/uploads/2016/02/the-risks-of-tv-1-139x300.png 139w, https://createquity.com/wp-content/uploads/2016/02/the-risks-of-tv-1-768x1654.png 768w, https://createquity.com/wp-content/uploads/2016/02/the-risks-of-tv-1.png 1200w" sizes="auto, (max-width: 475px) 100vw, 475px" /></a></p>
<h1 style="text-align: left;"><b>THE TWIST</b></h1>
<p>You would think with all this talk of obesity, mortality, and dissatisfaction with life, people would reach for the off button. The fact that they don’t suggests they must be getting something out of it.</p>
<p>Could it just be that people who watch large amounts of TV lack self-control? That could explain some of these findings; for example, there is research that indicates <a href="http://link.springer.com/article/10.1007%2Fs11205-008-9296-6" target="_blank">unhappy people in general tend to watch more TV</a>, suggesting that depression might be the culprit in some cases. But that doesn’t seem to be the whole story. There is an emerging body of research on television and addiction, but <a href="http://www.akademiai.com/doi/pdf/10.1556/JBA.2.2013.008" target="_blank">people are still trying to understand it</a>, how many people are affected, and how it relates to other addictions that might be more disruptive to daily life. We have not found evidence tying television addiction to income level, even though people with lower incomes tend to watch more TV.</p>
<div id="attachment_8660" style="width: 570px" class="wp-caption aligncenter"><a href="https://www.flickr.com/photos/sualk61/4083223760"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-8660" class="wp-image-8660" src="https://createquity.com/wp-content/uploads/2016/02/4083223760_ccb5b710b2_z.jpg" alt="TV Man in the Autumn - photo by flickr user sualk61" width="560" height="559" srcset="https://createquity.com/wp-content/uploads/2016/02/4083223760_ccb5b710b2_z.jpg 500w, https://createquity.com/wp-content/uploads/2016/02/4083223760_ccb5b710b2_z-150x150.jpg 150w, https://createquity.com/wp-content/uploads/2016/02/4083223760_ccb5b710b2_z-300x300.jpg 300w, https://createquity.com/wp-content/uploads/2016/02/4083223760_ccb5b710b2_z-32x32.jpg 32w, https://createquity.com/wp-content/uploads/2016/02/4083223760_ccb5b710b2_z-64x64.jpg 64w, https://createquity.com/wp-content/uploads/2016/02/4083223760_ccb5b710b2_z-96x96.jpg 96w, https://createquity.com/wp-content/uploads/2016/02/4083223760_ccb5b710b2_z-128x128.jpg 128w" sizes="auto, (max-width: 560px) 100vw, 560px" /></a><p id="caption-attachment-8660" class="wp-caption-text">TV Man in the Autumn &#8211; photo by flickr user sualk61</p></div>
<p><div class="pullquote">For Charisse P., TV is a good coping mechanism: “if I’m having a bad day and a funny show is on, the laughter helps, it helps a lot.”</div><br />
The statistics in general do a great job of making TV sound horrible, but spend some time actually talking to people about why they watch, and you may find your viewpoint shifting. Frances T. of Oahu, HI is 38 and completed some college. She watches at least five hours of television a day, even though the rest of her family’s in bed by 9pm. For her, TV is informative and keeps her tapped into what’s happening locally and nationally. It also helps expand her opinion on different topics, which she values. Sonja B. agrees: “I like shows that add something to my everyday life,” she notes, adding that she prefers judge shows because she finds them educational, and talk shows because they expose her to information she might not otherwise come across. Jamie K. likes watching documentaries because she feels like she is learning something. Charisse P., 38, works with in-patient youth in a psychiatric facility in Birmingham, AL. She watches five or six hours of TV a day, and finds it a good coping mechanism: “if I’m having a bad day and a funny show is on, the laughter helps, it helps a lot.”</p>
<p>Then there’s the fact that, for many, watching television is a meaningful social experience. Kawanda C. lives in New Orleans, where she doesn’t have a car. She’s 31 and didn’t finish high school. She works as a cashier, and spends a lot of time getting to and from work. She watches on average eight hours of TV a day, and loves to watch with her kids. Sonja B. also opts for companionship when taking in her favorite shows: “It’s always fun to watch TV with someone else because they might have a different perspective.” Indeed, in contrast to to Bruni and Stanca’s findings about television crowding out social activity, researcher Nele Simons’s interviews with TV watchers show that they <a href="https://www.researchgate.net/publication/279280934_TV_drama_as_a_social_experience_An_empirical_investigation_of_the_social_dimensions_of_watching_TV_drama_in_the_age_of_non-linear_television" target="_blank">socialize around the television they watch</a>. She even suggests that people watching television at different times can create new opportunities for TV and socializing. In Simons’s telling, the classic mid-century meme of a traditional family unit gathered around to watch I Love Lucy or the Ed Sullivan Show continues, only today it’s football at your uncle’s place, or <a href="http://www.slate.com/articles/arts/how_we_watch_tv/2013/11/viewing_parties_why_i_love_watching_shows_like_scandal_and_breaking_bad.html" target="_blank"><em>Game of Thrones</em> at your corner dive bar</a>.</p>
<div id="attachment_8661" style="width: 570px" class="wp-caption aligncenter"><a href="http://web.archive.org/web/20071226081329/teachpol.tcnj.edu/amer_pol_hist/thumbnail427.html"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-8661" class="wp-image-8661" src="https://createquity.com/wp-content/uploads/2016/02/1024px-Family_watching_television_1958-1024x952.jpg" alt="Family watching television. Evert F. Baumgardner, ca. 1958 - from the National Archives and Records Administration." width="560" height="521" srcset="https://createquity.com/wp-content/uploads/2016/02/1024px-Family_watching_television_1958.jpg 1024w, https://createquity.com/wp-content/uploads/2016/02/1024px-Family_watching_television_1958-300x279.jpg 300w, https://createquity.com/wp-content/uploads/2016/02/1024px-Family_watching_television_1958-768x714.jpg 768w" sizes="auto, (max-width: 560px) 100vw, 560px" /></a><p id="caption-attachment-8661" class="wp-caption-text">Family watching television. Evert F. Baumgardner, ca. 1958 &#8211; from the National Archives and Records Administration.</p></div>
<p>It does seem that qualitative methodologies tend to paint a more positive picture of the effects of television. A <a href="https://createquity.com/2016/02/capsule-review-older-adults-television-viewing-as-part-of-selection-and-compensation-strategies/" target="_blank">set of interviews with Dutch adults aged 65-92</a> published last year explored the question of whether their television viewing habits are more often part of a selection strategy–that is, a conscious choice made to maximize wellbeing–or a compensation strategy, a choice that is made to fill time or otherwise compensate for some kind of loss or diminishment. While there were certainly examples of compensation strategies among their interviewees, the researchers more often found that people were watching TV with no regrets.</p>
<p>But the TV-is-good-for-you case is more than anecdotal; there’s a small but growing body of quantitative research that paints a more positive side to the medium as well. Recall that our aforementioned analysis of the General Social Survey found that among the lowest income quartile, which is also the segment that <a href="http://www.bls.gov/news.release/archives/atus_06182014.pdf#page=24" target="_blank">watches the most TV</a>, more television is not associated with lower life satisfaction. One hypothesis to explain this comes from <a href="https://www.bsfrey.ch/articles/459_07.pdf" target="_blank">a paper</a> by Bruno S. Frey et al. analyzing data from the European Social Survey. Frey et al. found that people with a lower opportunity cost of free time, like unemployed people or those with very fixed working hours, were less likely to report decreased life satisfaction as their TV hours increase, while the opposite was true of individuals with a high opportunity cost of their free time. If people with lower incomes tend to have a lower opportunity cost of their free time, this might explain why television at the bottom income quartile does not seem to harm life satisfaction.</p>
<p>While we haven’t encountered research showing positive effects of television content on adult viewers, there are some success stories for children and teens. In one study, researchers Kearney and Levine looked at the MTV franchise 16 and Pregnant–a series of reality TV shows including the Teen Mom sequels–and <a href="http://www.wellesley.edu/sites/default/files/assets/kearney-levine-16p-nber_submit.pdf" target="_blank">determined that the shows ultimately led to a 5.7% reduction in teen births in the 18 months following their introduction</a>, which is about one third of the reduction in teen births during that period. In a follow-up, Kearney and Levine found that preschoolers who lived in areas where they could watch Sesame Street were <a href="http://www.nber.org/papers/w21229" target="_blank">14% less likely to fall behind when they got to elementary school</a>, and that this effect was much more pronounced for kids who grew up in areas with higher levels of economic disadvantage.</p>
<div id="attachment_8665" style="width: 570px" class="wp-caption aligncenter"><a href="https://www.flickr.com/photos/blentley/5063557111" rel="attachment wp-att-8665"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-8665" class="wp-image-8665" src="https://createquity.com/wp-content/uploads/2016/02/5063557111_7c681cc868_b-1024x685.jpg" alt="TV time - photo by flickr user Blake Danger Bentley" width="560" height="375" srcset="https://createquity.com/wp-content/uploads/2016/02/5063557111_7c681cc868_b.jpg 1024w, https://createquity.com/wp-content/uploads/2016/02/5063557111_7c681cc868_b-300x201.jpg 300w, https://createquity.com/wp-content/uploads/2016/02/5063557111_7c681cc868_b-768x514.jpg 768w" sizes="auto, (max-width: 560px) 100vw, 560px" /></a><p id="caption-attachment-8665" class="wp-caption-text">TV time &#8211; photo by flickr user Blake Danger Bentley</p></div>
<h1 style="text-align: left;"><b>I WILL CHOOSE FREE WILL?</b></h1>
<p>TV makes us fat. It dumbs us down. Too much TV makes us unhappy. Not enough TV makes us unhappy. TV makes us laugh. It keeps us informed. It keeps us from more social activities. It’s an opportunity for family time. It’s dangerous: for our feeling of self worth, for our capacity to understand right from wrong. At the end of the day, there’s plenty of evidence to suggest that TV is both good and bad for us, depending on who we are, how we define good and bad, and how we go about asking and answering the question.</p>
<p>To be sure, not all of this evidence is created equal. If we were to pit the “TV is good” and “TV is bad” hypotheses against each other in a contest of methodologies, bad would probably win out. But how bad is bad? What exactly is the threshold of evidence of harm that would warrant taking the position that TV requires an intervention?</p>
<p>Here, the case of junk food provides us with a useful comparison. The impact of junk food consumption on public health has generated enough concern among reasonably-minded policy wonks to motivate multiple attempts at intervention by the state. And yet even for junk food, that movement to change behaviors has not come without controversy. The FDA, under intense pressure from Congress (and the <a href="http://www.wsj.com/articles/SB124786160526159703" target="_blank">National Restaurant Association</a>) was <a href="http://thehill.com/regulation/healthcare/247354-fda-delays-calorie-counting-rules" target="_blank">forced to delay nation-wide implementation of menu labeling requirements until after the upcoming Presidential elections</a>. (NYC implemented these same rules in 2006, and it <a href="http://content.healthaffairs.org/content/28/6/w1098.full" target="_blank">took a full two years for them to become reality</a>.) This past November, NYC passed a law requiring restaurants to <a href="http://www.cbsnews.com/news/new-york-city-salt-warnings-take-effect-this-week/" target="_blank">indicate highly salted dishes</a>; it was challenged immediately. Bloomberg’s famous soda ban was <a href="http://www.nytimes.com/2014/06/27/nyregion/city-loses-final-appeal-on-limiting-sales-of-large-sodas.html" target="_blank">struck down</a>, suffering from a backlash from the very people it was intended to help. Richmond, CA took a different approach, introducing a soda tax rather than a size limit, but it, too, <a href="http://www.contracostatimes.com/ci_21944292/richmond-soda-tax-gets-off-rough-start" target="_blank">failed</a>.</p>
<p>What’s more, many of these well-meaning attempts to regulate the health of Americans don’t seem to be working: menu labeling has <a href="http://www.nytimes.com/2015/12/01/upshot/more-menus-have-calorie-labeling-but-obesity-rate-remains-high.html" target="_blank">not been shown to change eating habits</a> (and at least one study suggests it <a href="http://ajph.aphapublications.org/doi/abs/10.2105/AJPH.2013.301218?journalCode=ajph" target="_blank">leads to greater caloric intake</a>.) Kids denied in-school vending machines often end up <a href="http://www.sciencedaily.com/releases/2014/08/140801213343.htm" target="_blank">consuming extra junk food</a>. One year after Berkeley, CA became the <a href="http://www.usatoday.com/story/news/nation-now/2014/11/05/berkeley-passes-soda-tax/18521923/" target="_blank">first city in the US to successfully pass a soda tax</a>, a study of its effectiveness reveals that, as the price increase has been largely assumed by distributors, the intended effect on consumers <a href="http://www.news.cornell.edu/stories/2015/08/study-berkeley-soda-tax-falls-flat" target="_blank">is negligible</a>.</p>
<div id="attachment_8666" style="width: 570px" class="wp-caption aligncenter"><a href="https://www.flickr.com/photos/morgantj/3427017305/"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-8666" class="wp-image-8666" src="https://createquity.com/wp-content/uploads/2016/02/3427017305_dcf7f35f36_o-1024x685.jpg" alt="The no free-will bus campaign - photo by flickr user Travis Morgan" width="560" height="375" srcset="https://createquity.com/wp-content/uploads/2016/02/3427017305_dcf7f35f36_o.jpg 1024w, https://createquity.com/wp-content/uploads/2016/02/3427017305_dcf7f35f36_o-300x201.jpg 300w, https://createquity.com/wp-content/uploads/2016/02/3427017305_dcf7f35f36_o-768x514.jpg 768w" sizes="auto, (max-width: 560px) 100vw, 560px" /></a><p id="caption-attachment-8666" class="wp-caption-text">The no free-will bus campaign &#8211; photo by flickr user Travis Morgan</p></div>
<p><div class="pullquote">Much as we might like to believe otherwise, the arts are not some magical happiness-generating machine.</div><br />
So to return to our initial question: are people going to be worse off on average watching TV instead of engaging in other, potentially more enriching, activities–like attending arts events? It’s hard to draw a definitive conclusion from the evidence, but in a way, that is its own conclusion. Much as we might like to believe otherwise, the arts are not some magical happiness-generating machine: <a href="https://createquity.com/2016/02/are-the-arts-the-answer-to-our-tv-obsession-end-notes/#Note3RA" target="_blank">our analysis of responses to the 2012 General Social Survey</a> shows that people who attend arts exhibits and performances are no more likely to be satisfied with their lives than those who don’t, after controlling for demographic and baseline characteristics. Meanwhile, TV can provide many of the aesthetic pleasures that arts events are supposed to provide, usually at lower cost and with greater convenience. For Leslie B., a 40 year-old from Washington DC. who watches 15 hours of TV daily, anime is the top. She’s a photographer and wardrobe stylist, and takes inspiration from the way the characters are drawn. Charisse P. emphasizes the need for shows to have good storylines and strong characters. She’s drawn to programs with lots of surprises. Shantell T. likes shows with good music, like Empire.</p>
<p>While there are certainly aspects of the effect of TV on physical, cognitive and subjective wellbeing that are concerning and deserve further exploration, given how dicey it is to seek to intervene in adults&#8217; choices, our instinct is to exercise caution. For us to move forward in pursuing a case for change with respect to TV, we would need to see clearer evidence for an opportunity to improve wellbeing.</p>
<p>For us, the question of wellbeing ultimately comes down to opportunity and choice. Our definition of a <a href="https://createquity.com/2014/10/a-healthy-arts-ecosystem/" target="_blank">healthy arts ecosystem</a> draws inspiration from the “capability approach,” a widely adopted philosophical framework developed by Amartya Sen and Martha Nussbaum that defines wellbeing in terms of freedoms. According to the capability approach, whether or not people take advantage of the opportunities they have, their capability to make decisions about how they pursue their lives is vital to wellbeing, and having the capability to achieve various states is more important than whether or not one chooses to exercise that capability.</p>
<audio class="wp-audio-shortcode" id="audio-8639-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://createquity.com/wp-content/uploads/2016/02/Francis_Bigclip.mp3?_=1" /><a href="https://createquity.com/wp-content/uploads/2016/02/Francis_Bigclip.mp3">https://createquity.com/wp-content/uploads/2016/02/Francis_Bigclip.mp3</a></audio>
<p style="text-align: center;"><span style="font-size: small;"><em>Frances T. talks about the impact of TV on her life</em></span></p>
<p>It seems like a whole lot of people are making the choice to reach for the remote. For some, this undoubtedly isn’t the best choice they could make. For others, maybe it is. And it’s really hard for us, or anyone else, to tell the difference. Tempting as it might be to judge people who spend eight hours a day in front of the TV, many of us spend that much time or more each day in front of a different sort of small screen. We can only hope that everyone who does so is as enthusiastic about it as Frances T., who confidently declared when we asked her whether TV affects her wellbeing, “it <em>is</em> my own wellbeing to watch TV.”</p>
<p><em>Liked this article? Two things. First, we&#8217;ll be hosting a #CreatequityAsks Twitter chat to discuss the implications of this work on Wednesday, March 9 from 4-5pm Eastern time. Second, we&#8217;re conducting a <a href="https://docs.google.com/forms/d/1YzYKHxprVB947hDbVrxJyf2toMND8TIdcmhiJZYCI-Y/viewform">reader poll</a> to help us determine what we should investigate next. Please take 5 minutes to share your opinions! Thanks so much.</em></p>
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