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	<description>The most important issues in the arts...and what we can do about them.</description>
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		<title>Around the horn: It Gets Better edition</title>
		<link>https://createquity.com/2012/05/around-the-horn-it-gets-better-edition/</link>
		<comments>https://createquity.com/2012/05/around-the-horn-it-gets-better-edition/#respond</comments>
		<pubDate>Tue, 15 May 2012 11:10:40 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Economy]]></category>
		<category><![CDATA[Philanthropy]]></category>
		<category><![CDATA[Policy & Advocacy]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[American University]]></category>
		<category><![CDATA[Andrew Taylor]]></category>
		<category><![CDATA[Animating Democracy]]></category>
		<category><![CDATA[around the horn]]></category>
		<category><![CDATA[evaluation]]></category>
		<category><![CDATA[GiveWell]]></category>
		<category><![CDATA[impact assessment]]></category>
		<category><![CDATA[measurement in the arts]]></category>
		<category><![CDATA[Mellon Foundation]]></category>
		<category><![CDATA[NEA]]></category>
		<category><![CDATA[Nina Simon]]></category>
		<category><![CDATA[North Carolina Arts Council]]></category>
		<category><![CDATA[online education]]></category>
		<category><![CDATA[statistics]]></category>
		<category><![CDATA[transparency]]></category>

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		<description><![CDATA[ART AND THE GOVERNMENT Weird, the very day that the Huffington Post published my &#8220;debate&#8221; with Carla Escoda about arts funding, the New York Times published a &#8220;Room for Debate&#8221; feature on a very similar topic. Something in the water? Anyway, Sean Bowie has a nice summary if you don&#8217;t have time to read all eight entries. The<a href="https://createquity.com/2012/05/around-the-horn-it-gets-better-edition/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p><strong>ART AND THE GOVERNMENT</strong></p>
<ul>
<li>Weird, the very day that the Huffington Post published my &#8220;debate&#8221; with Carla Escoda about arts funding, the New York Times published a &#8220;Room for Debate&#8221; feature <a href="http://www.nytimes.com/roomfordebate/2012/05/01/how-to-fund-the-arts-in-america">on a very similar topic</a>. Something in the water? Anyway, Sean Bowie has a <a href="http://www.technologyinthearts.org/2012/05/up-for-debate-what-is-the-best-way-to-fund-the-arts-in-america">nice summary</a> if you don&#8217;t have time to read all eight entries.</li>
<li>The National Governor&#8217;s Association, which has been friendly to the arts in the past, has <a href="http://www.nga.org/files/live/sites/NGA/files/pdf/1204NEWENGINESOFGROWTH.PDF">released another study</a> highlighting the economic role of arts and culture in state government.</li>
<li>Marisela Treviño Orta has a <a href="http://www.2amtheatre.com/2012/04/21/taxes-i-dont-think-it-means-what-you-think-it-means/">good take</a> on a bill proposed in the California Assembly that would have placed a tax on live theater tickets. Thanks to advocacy by the LA and SF arts communities, the bill has been withdrawn.</li>
</ul>
<p><strong>MUSICAL CHAIRS</strong></p>
<ul>
<li>Andrew Taylor is <a href="http://www.artsjournal.com/artfulmanager/main/mr-taylor-goes-to-washington.php">leaving his longtime post</a> as the head of the University of Wisconsin&#8217;s arts administration program to join the faculty at American University in Washington, DC. Quite a coup for Sherburne Laughlin and company.</li>
<li>Anne Corbett is <a href="http://www.bizjournals.com/washington/news/2012/05/14/anne-corbett-to-leave-culturaldc-for.html">moving on</a> from her role as executive director of CulturalDC (formerly Cultural Development Corporation) to lead a commercial real estate development project in northwest Washington, DC.</li>
<li>Congratulations to Mary-Kim Arnold, <a href="http://www.rifoundation.org/News/NewsArticles/tabid/513/ArticleId/162/Foundation-announces-three-new-officers.aspx">new arts program officer</a> for the Rhode Island Foundation&#8230;</li>
<li>&#8230;Wayne Martin, <a href="http://ncartseveryday.org/2012/05/wayne-martin-named-executive-director-of-the-north-carolina-arts-council/">new executive director</a> of the North Carolina Arts Council&#8230;</li>
<li>&#8230;and Earl Lewis, <a href="http://www.prnewswire.com/news-releases/earl-lewis-elected-next-president-of-the-andrew-w-mellon-foundation-149855025.html">new president</a> of the Andrew W. Mellon Foundation, succeeding Don Randel. Mellon continues its record of hiring its head honchos from academia &#8211; Lewis was provost of Emory University and already serving on Mellon&#8217;s board.</li>
<li>The Center for Effective Philanthropy recently published an interesting analysis of the <a href="http://www.effectivephilanthropy.org/blog/2012/04/the-winding-path-to-being-a-foundation-ceo/">winding career paths of foundation CEOs</a>.</li>
</ul>
<p><strong>IN THE FIELD</strong></p>
<ul>
<li><a href="http://www.oregoncf.org/resources/news-pubs/press-releases/current-press/ocf-announces-the-fred-w-fields-gift">A huge gift</a> from Oregon philanthropist Fred W. Fields will go to the Oregon Community Foundation to support education and the arts.</li>
<li>Nina Simon <a href="http://museumtwo.blogspot.com/2012/05/year-one-as-museum-director-survived.html">shares some lessons learned</a> from her first year as executive director of the Santa Cruz Museum of Art and History.</li>
<li>Liz Lerman has <a href="http://www.artsjournal.com/artfulmanager/main/music-and-motion.php">choreographed a performance of Debussy&#8217;s Prelude to the Afternoon of a Faun</a> for the University of Maryland Symphony Orchestra. The orchestra played from memory and danced around the stage during the piece. While the dancing is about at the level one would expect from classical musicians, there&#8217;s enough there to suggest a vision of what might be if people actually pursued this as a serious subgenre. The video and further discussion, from Andrew Taylor, are available at the link.</li>
</ul>
<p><strong>INTERVIEWS, CONVENINGS, AND CONVERSATIONS</strong></p>
<ul>
<li>The Animating Democracy project at Americans for the Arts hosted a <a href="http://blog.artsusa.org/2012/04/30/can-we-validate-the-benefits-of-arts-culture-in-terms-of-social-impact/">wonderful blog salon</a> during the first week of May on impact and evaluation of social change in the arts. The posts are well worth <a href="http://blog.artsusa.org/tag/may-2012-blog-salon/">sifting through</a>, but some of my highlights included contributions from <a href="http://blog.artsusa.org/2012/05/01/my-name-is-rachel-grossman-i-am-a-measurement-junkie/">Rachel Grossman</a>, <a href="http://blog.artsusa.org/2012/05/01/rethinking-social-impact-we-cant-talk-about-social-well-being-without-the-arts-culture/">Mark Stern</a> (and <a href="http://blog.artsusa.org/2012/05/03/the-arts-culture-social-well-being/">again</a>), <a href="http://blog.artsusa.org/2012/05/02/time-tested-tools-for-evaluation/">Chris Dwyer</a>, and former Createquity Writing Fellow <a href="http://blog.artsusa.org/2012/05/03/public-art-storytelling-in-the-social-media-age/">Katherine Gressel</a>. And now, just a couple weeks later, the Public Art Network is doing a blog salon on <a href="http://blog.artsusa.org/2012/05/14/public-art-evaluation-rfp-request-for-your-participation/">evaluation in public art</a>.</li>
<li>Barry Hessenius has <a href="http://blog.westaf.org/2012/04/interview-with-apaps-mario-garcia.html">another interesting interview</a>, this time with Association of Performing Arts Presenters director Mario Garcia Durham.</li>
<li>Nina Simon <a href="http://museumtwo.blogspot.com/2012/05/dangerousridiculous-thoughts-from-aam.html">reports from</a> the 2012 American Association of Museums conference.</li>
<li>The Foundation Center&#8217;s PhilanTopic blog has a <a href="http://pndblog.typepad.com/pndblog/2012/04/convo-with-courtney-omalley-starr-foundation.html">&#8220;Flip&#8221; (video) chat with Courtney O&#8217;Malley</a>, VP of the Starr Foundation, about foundation transparency. It&#8217;s an interesting choice of topic (and thus, conversation), given that Starr is probably one of the least open and transparent foundations supporting the arts in its size group.</li>
<li>The NEA&#8217;s Art Works blog did a week&#8217;s worth of posts on art and science (or &#8220;artscience&#8221;). <a href="http://www.arts.gov/artworks/?p=13060">Here</a> <a href="http://www.arts.gov/artworks/?p=13045">are</a> <a href="http://www.arts.gov/artworks/?p=13015">a</a> <a href="http://www.arts.gov/artworks/?p=12971">few</a> <a href="http://www.arts.gov/artworks/?p=12959">examples</a>. In the last link, the NEA&#8217;s Senior Advisor for Program Innovation, Bill O&#8217;Brien, notes that the NEA will be encouraging grant applications that involve collaborations with science across all of its programs.</li>
</ul>
<p><strong>RESEARCH CORNER</strong></p>
<ul>
<li>The NEA co-organized a <a href="http://www.arts.gov/artworks/?p=13089">convening at the Brookings Institution last week</a> on the topic of &#8220;The Arts, New Growth Theory, and Economic Development.&#8221; I was fortunate to attend and may share some of my notes later, but in the meantime, audio from the day&#8217;s sessions is available <a href="http://www.brookings.edu/events/2012/05/10-arts-development">here</a>.</li>
<li><a href="http://flowingdata.com/2012/04/27/data-and-visualization-blogs-worth-following/">Great list of data and visualization blogs</a> worth following from stats blogger Nathan Yau. You can find Createquity&#8217;s version of this <a href="https://createquity.com/blogroll">here</a>. Nathan also shares <a href="http://flowingdata.com/2012/05/03/common-statistical-fallacies/">five common statistical fallacies</a>. Have you been guilty of at least one of these in the past week?</li>
<li>GiveWell is doing some interesting and important research into <a href="http://blog.givewell.org/2012/05/02/strategic-cause-selection/">strategic cause selection</a> (the merits of supporting international aid over domestic education, e.g.). After some preliminary investigation on <a href="http://blog.givewell.org/2012/05/08/what-large-scale-philanthropy-focuses-on-today/">what large funders are most likely to support today</a>, they have identified <a href="http://blog.givewell.org/2012/05/09/givewell-labs-update-and-priority-causes/">four priority cause areas</a> for future exploration: global health and nutrition, scientific research, something called &#8220;meta-research,&#8221; and mitigating catastrophic global risks such as climate change and nuclear war. I&#8217;m particularly interested in the meta-research cause area, which GiveWell defines as &#8220;trying to improve the systematic incentives that academic researchers face, to bring them more in line with producing maximally useful work.&#8221; I wonder if they will focus on non-academic research as well. As for arts and culture, GiveWell announces that it will not be a priority; while I&#8217;m not surprised at this outcome, I&#8217;ll be curious to read their justification for it as promised in a future post.</li>
<li>House Republicans have <a href="http://flowingdata.com/2012/04/03/fear-of-big-brother-and-government-surveys/">acted on their dislike</a> of the American Community Survey and <a href="http://flowingdata.com/2012/05/10/house-votes-to-cut-the-american-community-survey/">voted to eliminate it</a> (this has no chance of passing, thankfully). Here is <a href="http://civilstat.com/?p=319">more on the American Community Survey</a>. The politicization of government data collection is a very troubling trend.</li>
<li>Child mortality in Africa is <a href="http://blogs.cgdev.org/globaldevelopment/2012/05/africas-child-health-miracle-the-biggest-best-story-in-development.php">going down, down, down</a> &#8211; is this a vindication for international aid, free markets, or both?</li>
<li>Mark Kramer says <a href="http://www.fsg.org/KnowledgeExchange/Blogs/StrategicEvaluation/PostID/288.aspx">we need a flexible paradigm for evaluation</a>, because social problems are complex. I couldn&#8217;t agree more. Talking about evaluation in blog format is hard because the conversation requires a lot of subtlety and nuance. There isn&#8217;t one right way to do it, but at the same time there are countless wrong and/or dumb ways to do it.</li>
<li>The online education revolution is only in its infancy: Harvard and MIT have <a href="http://philanthropy.com/blogs/philanthropytoday/harvard-and-mit-commit-60-million-to-online-courses/47059">just committed $60 million</a> toward a new online course platform called EdX.</li>
</ul>
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		<title>Lessons I Learned in Business School (Or, My Humble Attempt to Save You $150k)</title>
		<link>https://createquity.com/2009/06/lessons-i-learned-in-business-school-or/</link>
		<comments>https://createquity.com/2009/06/lessons-i-learned-in-business-school-or/#comments</comments>
		<pubDate>Thu, 04 Jun 2009 03:54:00 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Economy]]></category>
		<category><![CDATA[business school]]></category>
		<category><![CDATA[decision analysis]]></category>
		<category><![CDATA[evaluation]]></category>
		<category><![CDATA[negotiation]]></category>
		<category><![CDATA[personal]]></category>
		<category><![CDATA[risk]]></category>
		<category><![CDATA[statistics]]></category>
		<category><![CDATA[textbook economics]]></category>

		<guid isPermaLink="false">https://createquity.com/2009/06/lessons-i-learned-in-business-school-or-my-humble-attempt-to-save-you-150k.html</guid>
		<description><![CDATA[I really didn&#8217;t know what to expect when I came to business school in the fall of 2007. I had lived my whole post-college life in the nonprofit sector, and most of that time was spent hanging around musicians. I was brought up by two ex-hippies who, shall we say, did not exactly fit in<a href="https://createquity.com/2009/06/lessons-i-learned-in-business-school-or/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_jSTeDrbLy7I/SidkSHcQ3JI/AAAAAAAAAU0/AHK_WPSEdG8/s1600-h/Manual_decision_tree.jpg"><img decoding="async" style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 338px; height: 400px;" src="http://2.bp.blogspot.com/_jSTeDrbLy7I/SidkSHcQ3JI/AAAAAAAAAU0/AHK_WPSEdG8/s400/Manual_decision_tree.jpg" alt="" id="BLOGGER_PHOTO_ID_5343349745296399506" border="0" /></a>I really didn&#8217;t know what to expect when I came to business school in the fall of 2007. I had lived my whole post-college life in the nonprofit sector, and most of that time was spent hanging around musicians. I was brought up by two ex-hippies who, shall we say, did not exactly fit in with corporate culture. (My mom did have a job at a bank once, which she used primarily as an opportunity to read up on astrology textbooks.) So I had a number of questions in my mind as I got ready to start my MBA program. Would I get along with my classmates? Would I get involved in the life of the school? Would I have time to compose and pursue individual projects? Would I actually learn anything?</p>
<p>If nothing else, I knew I would come out of the experience with two things: (a) a piece of paper in my hand that said I was a smart person and (b) a whole lotta debt. Both of these things turned out to be true. But that was about the extent to which my premonitions and preconceptions held water. Time and again, something about the experience would surprise me, and I remain now in awe of not only how much my feelings about b-school evolved, but how much <span style="font-style: italic;">I</span> evolved. In no particular order, then, I offer the most valuable concepts, ideas, skills, and learnings I take away from my four semesters in New Haven, CT:</p>
<ul>
<li>As math subjects go, an understanding of<span style="font-weight: bold;"> statistics </span>must rank close behind basic algebra in highest usefulness-in-daily-life-to-mental-effort-required ratio. It&#8217;s amazing to read websites like <a href="http://fivethirtyeight.com">fivethirtyeight.com</a> now and actually understand how those graphs were produced. And if that&#8217;s not practical enough for you, <a href="http://en.wikipedia.org/wiki/Decision_analysis"><span style="font-weight: bold;">decision analysis</span></a> can shed light onto even the most intransigent dilemmas by identifying dominated (i.e., foolish) strategies and helping to organize one&#8217;s thinking. A tool that I will use for the rest of my life.</li>
<li><span style="font-weight: bold;">Program evaluation </span>is not rocket science. All it requires you to do is to apply logic <span style="font-style: italic;">relentlessly</span>, a skill that does take some practice. A class on ethics and human behavior taught us that the only reliable way to counteract persistent biases, such as overconfidence, is to ask oneself at critical junctures: &#8220;how could I be wrong?&#8221; This is what program evaluators, good ones anyway, do at every step of the process. It&#8217;s so simple, but it can save you a world of remorse down the line.</li>
<li>The teaching of <span style="font-weight: bold;">introductory economics</span> needs serious reform. I have <a href="https://createquity.com/2008/01/economics-myths.html">written about this</a> at length, but having taken <a href="https://createquity.com/2008/10/behavioral-economics.html">additional coursework</a> in the subject and witnessed a global financial meltdown since my original rants, I now feel quite confident in saying that externalities and behavioral analysis should occupy a <span style="font-style: italic;">much</span> more prominent role in the discussion, and that normative judgments about policy  should be taken <span style="font-style: italic;">out</span>. Free markets with perfect information, perfect competition, and rational actors are the exception, not the rule.</li>
<li>Most of us are far too <span style="font-weight: bold;">risk-averse</span>. As a simple example: have you ever been really attracted to someone but decided not to ask them out because you were afraid of getting rejected? It&#8217;s silly, right? What, exactly, are the consequences of getting rejected? How is it worse than not asking in the first place? Take this thought and apply it to your job, a fundraising ask, an application to school &#8212; you name it. Make sure the risks you&#8217;re avoiding are actually risks, and not just fears in disguise.</li>
<li>When it comes to negotiation, it&#8217;s amazing what difference a little <span style="font-weight: bold;">planning</span> makes. Knowing <span style="font-style: italic;">exactly</span> what your preferences are and thinking about what concessions you&#8217;re prepared to make&#8211;and not&#8211;beforehand will equip you with the tools you need to guide the conversation toward an optimal conclusion. This little lesson can be applied to almost any kind of negotiation, not just the usual suspects like big business deals or bargaining at the flea market.</li>
<li><span style="font-weight: bold;">Presentation</span> matters. It really does. Oh sure, it doesn&#8217;t matter as much as content, at least in the long run. The thing is, presentation <span style="font-style: italic;">is a part of your content</span>. That&#8217;s why it matters.</li>
</ul>
<p>As much as I&#8217;ve learned from business school, perhaps the most profound lesson I take away is <span style="font-style: italic; font-weight: bold;">how much I still don&#8217;t know</span>. In 2006, I knew a hell of a lot about choral music, the history of experimental rock ensembles, who&#8217;s who in the American classical composer social hierarchy, and where to find hassle-free street parking in New York City. At the time, that seemed like a pretty decent chunk of stuff to know a hell of a lot about. I now know that it&#8217;s about 0.00000000001% of the full extent of human knowledge and achievement. After two years in business school, I can now claim a passing conversance with, oh, maybe 0.00000000003%. Which, you know, is triple what I knew before &#8212; and still BARELY ANYTHING.</p>
<p>On the other hand, I now have tools to help me make decisions and manage in situations even when I don&#8217;t have all the information. I know how to figure out what questions I must ask in order to get to the answers I need. I know how to surround myself with people who know more than I do about particular subjects so that I don&#8217;t have to keep reinventing the wheel. And most importantly, I can feel secure in the knowledge that, for as long as I live, I will never stop learning new things. And that is a great gift.</p>
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