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	<title>Createquity.Createquity.</title>
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	<link>https://createquity.com</link>
	<description>The most important issues in the arts...and what we can do about them.</description>
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		<title>New article at NewMusicBox.org</title>
		<link>https://createquity.com/2010/09/new-article-at-newmusicbox-org/</link>
		<comments>https://createquity.com/2010/09/new-article-at-newmusicbox-org/#comments</comments>
		<pubDate>Thu, 16 Sep 2010 13:01:06 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Economy]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[American Music Center]]></category>
		<category><![CDATA[audience engagement]]></category>
		<category><![CDATA[business school]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[composers]]></category>
		<category><![CDATA[diversity]]></category>
		<category><![CDATA[entrepreneurship]]></category>
		<category><![CDATA[graduate school]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[Pro-Am Revolution]]></category>

		<guid isPermaLink="false">https://createquity.com/?p=1646</guid>
		<description><![CDATA[Yesterday, the good folks at NewMusicBox (the web magazine of the American Music Center) published a rather massive article of mine called &#8220;Composing a Life, Or How I Learned to Stop Worrying and Love the Dollar.&#8221; It&#8217;s my plea to composers and the new music community (which is the world I come from) to get<a href="https://createquity.com/2010/09/new-article-at-newmusicbox-org/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p>Yesterday, the good folks at <a href="http://www.newmusicbox.org">NewMusicBox</a> (the web magazine of the <a href="http://www.amc.net">American Music Center</a>) published a rather massive article of mine called &#8220;<a href="http://www.newmusicbox.org/article.nmbx?id=6559">Composing a Life, Or How I Learned to Stop Worrying and Love the Dollar</a>.&#8221; It&#8217;s my plea to composers and the new music community (which is the world I come from) to get more actively involved in the conversations that affect the lives and careers of all artists. Along the way, I go into greater depth on the Pro-Am Revolution, turn a critical eye toward graduate music education, and consider the diversity problem in classical music&#8217;s shrinking audiences, sprinkling statistical nuggets and research findings throughout.</p>
<p>Here&#8217;s an excerpt:</p>
<blockquote><p>What changed me the most [at business school] was the exposure to an endless panoply of other areas of human life beyond contemporary classical music. Sure, I learned about assets and liabilities and how to read a cash flow statement, but I also learned about the auction for 3G wireless ranges, competition between Target and Wal-Mart, why Turkey is an emerging power player in the Middle East, and how colleges and foundations manage their endowments. [&#8230;]</p>
<p>In the course of this sudden immersion into what the rest of the world thinks about and does on a daily basis, I came to realize that my former existence had been focused like a laser on about 0.00001% of everything that matters. It was like the veil had been lifted on my life: the choices I faced when I voted in an election or needed to buy produce or searched for an apartment to rent or, yes, chose a graduate school had all been determined by <em>somebody</em>, or more often a collection of somebodies acting in somewhat predictable ways. It became clear to me that I was never going to have control over my own destiny unless I had the capacity to see and understand the external forces that were influencing my circumstances. And if that&#8217;s true for me, it&#8217;s true for you, too. So here are a couple of vignettes from my own journey into the belly of the capitalist beast, which I offer in the hopes of connecting my experiences (and perhaps some of yours) to the bigger picture. After all, we are just variations on a theme.</p></blockquote>
<p>Read the rest over at <a href="http://www.newmusicbox.org/article.nmbx?id=6559">NewMusicBox</a>.</p>
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		<title>Some thoughts while wishing the election was tomorrow</title>
		<link>https://createquity.com/2008/10/some-thoughts-while-wishing-election/</link>
		<comments>https://createquity.com/2008/10/some-thoughts-while-wishing-election/#respond</comments>
		<pubDate>Wed, 08 Oct 2008 13:54:00 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[New Amsterdam Records]]></category>
		<category><![CDATA[new music]]></category>
		<category><![CDATA[New York]]></category>

		<guid isPermaLink="false">https://createquity.com/2008/10/some-thoughts-while-wishing-the-election-was-tomorrow.html</guid>
		<description><![CDATA[It&#8217;s great to see your friends doing well. This week, the New York Times came out with a lengthy profile of Caleb Burhans, who I know from my time in New York pre-business school. Caleb&#8217;s a fantastic musician who&#8217;s pretty much at the epicenter of a vast movement of young conservatory graduates who have been<a href="https://createquity.com/2008/10/some-thoughts-while-wishing-election/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_jSTeDrbLy7I/SOzLfeNY9rI/AAAAAAAAAEA/4d4tJl3nGk4/s1600-h/33.jpg"><img decoding="async" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://4.bp.blogspot.com/_jSTeDrbLy7I/SOzLfeNY9rI/AAAAAAAAAEA/4d4tJl3nGk4/s320/33.jpg" alt="" id="BLOGGER_PHOTO_ID_5254798606780135090" border="0" /></a>It&#8217;s great to see your friends doing well. This week, the <span style="font-style: italic;">New York Times</span> came out with a <a href="http://www.nytimes.com/2008/10/05/arts/music/05kozi.html?pagewanted=2&amp;_r=1">lengthy profile</a> of Caleb Burhans, who I know from my time in New York pre-business school. Caleb&#8217;s a fantastic musician who&#8217;s pretty much at the epicenter of a vast movement of young conservatory graduates who have been descending upon NYC and shaking up the new music world during the past decade. Groups like <a href="http://www.alarmwillsound.com/">Alarm Will Sound</a> (of which Caleb is a founding member), Signal, and <a href="http://www.iceorg.org/">International Contemporary Ensemble</a> are every bit as much on the front line of innovation in new music performance as the Bang on a Can All-Stars were twenty years ago. Caleb and his wife, Martha Cluver, are members of the famed <a href="http://www.trinitywallstreet.org/music/?choir">Trinity Choir</a>, which is the epicenter of <span style="font-style: italic;">another</span> vast movement of young singers shaking up the NYC choral world over the same time period. Meanwhile, my unofficial blog shrink <a href="http://secretsociety.typepad.com/darcy_james_argues_secret/2008/10/maintenant-le-d.html">Darcy James Argue</a> has landed himself a record contract with <a href="https://www.newamsterdamrecords.com/">New Amsterdam Records</a>, which is building a genuine grassroots community of talented and exciting musicians through its website and label operations. Congratulations to all!</p>
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