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		<title>Around the horn: Lois Lerner, we hardly knew ye edition</title>
		<link>https://createquity.com/2013/05/around-the-horn-lois-lerner-we-hardly-knew-ye-edition/</link>
		<comments>https://createquity.com/2013/05/around-the-horn-lois-lerner-we-hardly-knew-ye-edition/#respond</comments>
		<pubDate>Tue, 28 May 2013 12:10:21 +0000</pubDate>
		<dc:creator><![CDATA[Dan Thompson]]></dc:creator>
				<category><![CDATA[Economy]]></category>
		<category><![CDATA[Philanthropy]]></category>
		<category><![CDATA[Policy & Advocacy]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[Andy Warhol Foundation]]></category>
		<category><![CDATA[around the horn]]></category>
		<category><![CDATA[art therapy]]></category>
		<category><![CDATA[arts education]]></category>
		<category><![CDATA[arts marketing]]></category>
		<category><![CDATA[Createquity Fellowship]]></category>
		<category><![CDATA[curation]]></category>
		<category><![CDATA[improvisation]]></category>
		<category><![CDATA[IRS]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[New York Times]]></category>
		<category><![CDATA[PRI]]></category>
		<category><![CDATA[Rocco Landesman]]></category>
		<category><![CDATA[transparency]]></category>

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		<description><![CDATA[(This edition prepared by Createquity Writing Fellow Dan Thompson) ART AND THE GOVERNMENT Never afraid to speak his mind, Rocco Landesman shares a few more words about his experience as NEA head, this time with the Public Theater&#8217;s Public Forum Podcast. MUSICAL CHAIRS Ken Corbin, a 27-year IRS veteran, will take over as acting head of the<a href="https://createquity.com/2013/05/around-the-horn-lois-lerner-we-hardly-knew-ye-edition/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p><em>(This edition prepared by Createquity Writing Fellow Dan Thompson)</em></p>
<p><strong>ART AND THE GOVERNMENT</strong></p>
<ul>
<li>Never afraid to speak his mind, Rocco Landesman <a href="http://publictheater.wordpress.com/2013/04/30/public-forum-podcast-nea-chairman-rocco-landesmans-freewheeling-exit-interview/">shares a few more words</a> about his experience as NEA head, this time with the Public Theater&#8217;s Public Forum Podcast.</li>
</ul>
<p><strong>MUSICAL CHAIRS</strong></p>
<ul>
<li>Ken Corbin, a 27-year IRS veteran, will <a href="http://philanthropy.com/blogs/philanthropytoday/in/68659">take over</a> as acting head of the IRS’s exempt organizations division amid the recent <a href="http://www.huffingtonpost.com/2013/05/15/fbi-irs-investigation_n_3278230.html">controversies at the agency</a>.</li>
</ul>
<p><strong>ALL ABOUT THE BENJAMINS</strong></p>
<ul>
<li>The Knight and Gates Foundations are now <a href="http://www.giarts.org/blog/steve/gates-and-knight-foundations-fund-new-project-improve-measuring-media-impact">teaming up</a> to fund the Media Impact Project, which will develop tools for measuring the impact of online media.</li>
<li>Controversy over public-private partnerships is as hot as ever, this time appearing in the provision of public space. The Atlantic <a href="http://www.theatlanticcities.com/neighborhoods/2013/05/murky-ethics-and-uncertain-longevity-privately-financed-public-parks/5563/">discusses</a> the equity, efficiency, and quantity implications.</li>
<li>Former hedge funder John Arnold and wife Laura have opened a controversial, highly data-driven foundation in Houston with promising results already in the areas of hunger and criminal justice, Philanthropy News Digest <a href="http://foundationcenter.org/pnd/news/story.jhtml?id=423200005">reports</a>.</li>
<li>Andy Warhol’s eponymous foundation is struggling with a serious institutional crisis in which leaders created perverse incentives for their art authenticators and salespeople, according to Richard Dorment’s crackerjack <a href="http://www.nybooks.com/articles/archives/2013/jun/20/andy-warhol-foundation-questions/?pagination=false">reporting</a> for the New York Review of Books.</li>
<li>A new fund to help young London theater producers is making a big splash, the Guardian <a href="http://www.guardian.co.uk/culture-professionals-network/culture-professionals-blog/2013/may/20/how-to-be-theatre-producer">reports</a>.</li>
</ul>
<p><strong>IN THE FIELD</strong></p>
<ul>
<li>Ever wonder how arts therapy works for victims of trauma? ARTSblog has a fantastic pithy explanation in <a href="http://blog.artsusa.org/2013/05/13/understanding-the-value-of-art-therapy/">their article</a> on the use of art therapy with members of America&#8217;s armed forces. More on arts and the military from Americans for the Arts can be found <a href="http://blog.artsusa.org/2013/05/13/welcome-to-the-blog-salon-on-the-arts-and-the-military/">here</a>.</li>
<li>In an evolving sharing culture, copyright has become a major challenge for museums attempting to make social connections with audiences. Carolina A. Miranda explains how this works today in a <a href="http://www.artnews.com/2013/05/13/photography-in-art-museums/">detailed article</a> for ARTnews.</li>
<li>Curation is an evolving artform. Erin Roos-Brown, a Program Manager for the Creative Campus Initiative at Wesleyan University&#8217;s Center for the Arts, argues in <a href="http://artsfwd.org/changing-curators/">her article</a> on the topic that curation used to require an insulated academic and is now quickly becoming a social, entrepreneurial role.</li>
<li>A fascinating New York Times report on <a href="http://www.nytimes.com/2013/05/13/arts/design/art-proves-attractive-refuge-for-money-launderers.html?hp&amp;_r=1&amp;">using art to launder money</a> explains how the culture around buying famous artworks makes it one of the best ways to hide your tracks&#8211;if you&#8217;re a criminal.</li>
<li>Vancouver theater producer Caleb McMullen is boldly offering a guarantee on the price of the ticket for his company’s production of <i>Proof</i>. The Globe and Mail <a href="http://www.theglobeandmail.com/arts/theatre-and-performance/how-a-twitter-debate-led-to-one-theatres-money-back-guarantee/article12025961/">lays out</a> the whys, hows, and whos.</li>
<li>A judge <a href="http://www.wqxr.org/#!/blogs/wqxr-blog/2013/may/20/composer-sue-brooklyn-philharmonic-breach-contract/">has allowed</a> composer Nathan Currier&#8217;s lawsuit against the Brooklyn Philharmonic to proceed, thus extending the saga of the <a href="https://createquity.com/2009/04/i-have-confession-to-make.html">most bizarre concert experience ever experienced</a> into its 10th year. <em>-IDM</em></li>
</ul>
<p><b>CONFERENCES AND TALKS</b></p>
<ul>
<li>The Australian breaks down the takeaways from the Aspen Institute&#8217;s meeting on the future of museums in a new brief <a href="http://www.theaustralian.com.au/arts/pragmatic-propositions-emerge-for-shaping-museums-of-the-future/story-e6frg8n6-1226648666620">summary</a>.</li>
</ul>
<p><strong>BIG IDEAS</strong></p>
<ul>
<li>Createquity&#8217;s Talia Gibas has a <a href="http://blog.artsusa.org/2013/05/14/stem-to-steam-reflections-v-2/">brief summary</a> at ARTSBlog covering how to get into the weeds of what the STEM to STEAM movement is really trying to accomplish.</li>
<li>Fast Company&#8217;s always enterprising online outfit FastCoLabs has been experimenting with a new part-long form, part-live blog format that has (thus far) had a <a href="http://www.fastcolabs.com/3009577/open-company/this-is-what-happens-when-publishers-invest-in-long-stories">remarkably positive impact on their analytics</a>.</li>
<li>The Atlantic&#8217;s Emily Badger challenges the virtues of the advancing personalization of Google Maps in her piece <a href="http://www.theatlanticcities.com/technology/2013/05/potential-problem-personalized-google-maps-we-may-never-know-what-were-not-seeing/5617/">The Potential Problem With Personalized Google Maps</a>. Her argument speaks to the potential for idiosyncratic exposure to reduce quality of life.</li>
<li>Students all over the country are being told to purse their passion, but what if they don&#8217;t have one? <a href="http://www.npr.org/blogs/money/2013/05/09/182403459/i-know-im-supposed-to-follow-my-passion-but-what-if-i-dont-have-a-passion">Economists try to answer this question</a> in this piece by Planet Money&#8217;s Chana-Joffey Walt.</li>
<li>Artful improvisation is a useful tool for managers. Keith Sawyer explains what leaders should glean from jazz improv in particular in his <a href="http://keithsawyer.wordpress.com/2013/05/16/surprising-leadership-lessons-from-jazz/">review</a> of <i>Yes to the Mess</i> by Frank J. Barrett.</li>
<li>Congratulations to the lucky dozen who made the <a href="http://blog.westaf.org/2013/05/announcing-dinner-vention-party-guest.html">Barry&#8217;s Blog Dinner-vention guest list</a>! The event will be held September 6 at the Djerassi Resident Artist Program, and will be recorded for posterity. <em>-IDM</em></li>
</ul>
<p><strong>RESEARCH CORNER</strong></p>
<ul>
<li>Arts Education Partnership has released <a href="http://www.giarts.org/article/preparing-students-next-america">Preparing Students for the Next America</a>, a new report in which they detail how arts education improves work readiness and enriches the lives of community members.</li>
<li>D5, a coalition of funders, community activists, and thought leaders, have a new <a href="http://foundationcenter.org/pnd/news/story.jhtml?id=422600007">report</a> on diversity in the philanthropy sector, how to improve it, and why it matters.</li>
<li>The Lilly Family School of Philanthropy at Indiana University has a new <a href="http://foundationcenter.org/pnd/news/story.jhtml?id=423100012">report</a> out on the use of program-related investments (PRIs) as a philanthropic tool over the past twenty years.</li>
<li>Foundations still have a long way to go on the road to transparency, according to a <a href="http://www.effectivephilanthropy.org/blog/2013/05/a-transparency-mindset-in-the-foundation-boardroom/">new report</a> from the Center for Effective Philanthropy, and the President and CEO of the James Irvine Foundation adds his <a href="http://www.effectivephilanthropy.org/blog/2013/05/a-transparency-mindset-in-the-foundation-boardroom/">thoughts</a> on how to make transparency a priority in the boardroom.</li>
<li>A <a href="http://www.psmag.com/blogs/news-blog/how-to-entice-people-to-buy-symphony-tickets-58211/">new model</a> of concert attendance published in the International Journal of Research in Marketing provides evidence for a number of counter-intuitive findings, including an indifference point in terms of attendance between contemporary and less-known romantic-period works.</li>
</ul>
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