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	<description>The most important issues in the arts...and what we can do about them.</description>
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		<title>Around the horn: cease fire edition</title>
		<link>https://createquity.com/2012/11/around-the-horn-cease-fire-edition/</link>
		<comments>https://createquity.com/2012/11/around-the-horn-cease-fire-edition/#comments</comments>
		<pubDate>Sun, 25 Nov 2012 17:58:12 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Economy]]></category>
		<category><![CDATA[Philanthropy]]></category>
		<category><![CDATA[Policy & Advocacy]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[around the horn]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[creative placemaking]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[disaster recovery]]></category>
		<category><![CDATA[emerging leaders]]></category>
		<category><![CDATA[fiscal sponsorship]]></category>
		<category><![CDATA[Fractured Atlas]]></category>
		<category><![CDATA[hypercompetition]]></category>
		<category><![CDATA[individual artists]]></category>
		<category><![CDATA[Kansas Creative Arts Industries Commission]]></category>
		<category><![CDATA[LINC]]></category>
		<category><![CDATA[museums]]></category>
		<category><![CDATA[National Arts Strategies]]></category>
		<category><![CDATA[NEA]]></category>
		<category><![CDATA[Nina Simon]]></category>
		<category><![CDATA[UK]]></category>

		<guid isPermaLink="false">https://createquity.com/?p=4118</guid>
		<description><![CDATA[ART AND THE GOVERNMENT &#8220;Kansas arts agencies have been on hold several months, waiting for a clue as to how state dollars allocated by the 2012 Legislature might translate into an economic boon to arts programs.&#8221; The recent public arts funding update had some grim news from the UK. Here&#8217;s one possible reason: an annual study<a href="https://createquity.com/2012/11/around-the-horn-cease-fire-edition/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p><strong>ART AND THE GOVERNMENT</strong></p>
<ul>
<li>&#8220;<a href="http://www.hdnews.net/Story/arts111512">Kansas arts agencies have been on hold several months, waiting for a clue as to how state dollars allocated by the 2012 Legislature might translate into an economic boon to arts programs</a>.&#8221;</li>
<li>The recent public arts funding update had <a href="https://createquity.com/2012/11/late-fall-public-arts-funding-update.html">some grim news from the UK</a>. Here&#8217;s one possible reason: an annual study reports that donations to charity <a href="http://www.ncvo-vol.org.uk/news/funding/donations-charity-fall-20-cent-fewer-people-give-new-report">fell by a whopping <em>one fifth</em> in 2011-2</a>, though the eye-popping numbers <a href="http://www.thirdsector.co.uk/news/1159458/Institute-Fundraising-questions-findings-report-showing-fall-charitable-giving/?DCMP=ILC-SEARCH">have come in for some scrutiny</a>. Whether true or even just a little bit true, politicians&#8217; assurances that private giving would make up for cuts to Arts Council England and other public bodies have seemingly turned out quite empty indeed.</li>
<li>Isaac Butler makes some very good points on the <a href="http://parabasis.typepad.com/blog/2012/10/our-mythology-under-lock-and-key.html">copyright implications</a> of the news that Disney is buying Lucasfilm for over $4 billion:<br />
<blockquote><p>What this means is that Disney is hoarding up the closest thing 20th and 21st century culture has to folk tales and mythology, and locking them up in a safe where we can&#8217;t touch it without getting sued. As artists, we should be deeply troubled by this.</p></blockquote>
</li>
</ul>
<p><strong>MUSICAL CHAIRS</strong></p>
<ul>
<li>Victoria Hamilton <a href="http://www.giarts.org/blog/steve/victoria-hamilton-steps-down-san-diego-commission">has moved on</a> from her post as founding executive director of the San Diego Commission for Arts and Culture.</li>
</ul>
<p><strong>ALL ABOUT THE BENJAMINS</strong></p>
<ul>
<li>Why we need arts policy: multi-millionaire financial mogul, founder of a mysterious firm that makes its money executing high-speed trades to exploit market arbitrage opportunities, <a href="http://www.businessweek.com/news/2012-11-09/jane-street-s-reynolds-turns-to-art-with-trading-fortune">has left his day job to focus instead</a> on establishing &#8220;free art schools in Anguilla, the Dominican Republic, Pennsylvania, Sri Lanka and Thailand&#8221; to teach poor students the craft of photorealistic painting. Said donor thinks this is going to &#8220;change the art world&#8221; and is developing luxury hotels to put alongside the schools.</li>
</ul>
<p><strong>IN THE FIELD</strong></p>
<ul>
<li>It&#8217;s not just nonprofits that have suffered from Hurricane Sandy; Broadway&#8217;s losses <a href="http://artsbeat.blogs.nytimes.com/2012/11/06/broadway-box-office-takes-an-estimated-8-5-million-hurricane-hit/">are estimated at $8.5 million</a> (<em>Book of Mormon</em> still sold out though). Things are <a href="http://www.vulture.com/2012/11/saltz-optimism-reappears-at-chelseas-galleries.html">rapidly improving</a> in Chelsea, though they are not out of the woods. The <a href="http://artsbeat.blogs.nytimes.com/2012/11/06/an-aid-program-for-hard-hit-new-york-galleries/">Art Dealers Association of America</a>, the <a href="http://www.nyhumanities.org/grants/recovery12.php">New York State Council on the Humanities</a>, the Robert Rauschenberg Foundation, the Lambent Foundation, and the Andy Warhol Foundation for the Visual Arts <a href="http://artsbeat.blogs.nytimes.com/2012/11/16/foundations-pledge-to-help-artists-after-sandy/">have all stepped up</a> to help out, and there is a more general <a href="http://www.grdodge.org/about-us/new-jersey-recovery-fund/">New Jersey Recovery Fund</a> as well.</li>
<li><a href="http://www.ceosforcities.org/blog/ten-creative-ideas-for-energizing-our-streets">Cool post from CEOs for Cities</a> listing ten (relatively) simple creative placemaking ideas aimed at enlivening city streets. And Toronto-based Artscape has developed an <a href="http://www.artscapediy.org/Creative-Placemaking-Toolbox.aspx">online toolkit for DIY creative placemaking</a> (h/t <a href="http://economicdevelopment.org/2012/10/assessing-impacts-in-creative-placemaking/">Greg Baeker</a>, via Thomas Cott).</li>
<li>It seems like there&#8217;s recently been a <a href="http://pitchfork.com/features/articles/8993-the-cloud/">spate </a>of <a href="http://www.vulture.com/2012/09/grizzly-bear-shields.html">articles</a> plumbing the depths of musicians&#8217; finances to a level we rarely see. Franz Nicolay (indie rocker, formerly of the Hold Steady, briefly a coworker of mine) has always been remarkably open about such matters, and a recent blog post of his <a href="http://franznicolay.com/blog/#102512">lays out exactly how much he made (and didn&#8217;t)</a> during his years of highest public profile and since.</li>
</ul>
<p><strong>BIG IDEAS</strong></p>
<ul>
<li>I was totally going to write a post-election blog post that was all like, &#8220;are arts organizations the Republican Party of the creative economy?&#8221; and then Trevor O&#8217;Donnell <a href="http://trevorodonnell.com/2012/11/08/six-things-the-arts-and-the-republicans-have-in-common/">went and did it for me</a>.</li>
<li>Michael Kaiser has caught a fair amount of flak from arts managers of my generation before, but I suspect they&#8217;ll be pleased with <a href="http://www.huffingtonpost.com/michael-kaiser/where-are-the-senior-arts_b_2075782.html">this column of his</a>.</li>
<li>More evidence of Nina Simon&#8217;s awesomeness: she&#8217;s designing a <a href="http://museumtwo.blogspot.ca/2012/10/four-unusual-professional-development.html">You Can&#8217;t Do That in Museums summer camp</a> (tagline: &#8220;You Can. We Will.&#8221;) to be held in Santa Cruz next July.<br />
<blockquote><p>This camp will be a 2.5 day event at which participants work in teams with pre-selected permanent collection objects to create an exhibition full of intriguing, unusual, risky experiences. If you&#8217;ve ever wanted to design an object-based exhibit that really pushed the boundaries, this is the event for you. Registration will be $150 and by application only. We will also offer a half-day series of workshops on July 10 for a wider audience for $50. <strong>Yes you can sleepover at the museum to heighten the insanity and reduce the cost.</strong> No you don&#8217;t have to be a museum professional to participate. Yes you can apply now. <a href="http://www.santacruzmah.org/museumcamp2013/" target="_blank">Please do.</a></p></blockquote>
</li>
<li>And here&#8217;s Nina&#8217;s TEDxSantaCruz talk on <a href="http://museumtwo.blogspot.com/2012/11/opening-up-museums-my-tedxsantacruz-talk.html">opening up museums</a> (with her own as Exhibit A).</li>
</ul>
<p><strong>CONFERENCES AND TALKS</strong></p>
<ul>
<li>Last year, I went to the Independent Sector conference on scholarship from the Ford Foundation and had a great experience learning from my peers across the nonprofit space. I wasn&#8217;t able to attend this year, but Nonprofit Law Blog&#8217;s Gene Takagi went and brings us <a href="http://www.nonprofitlawblog.com/home/2012/11/independent-sector-annual-conference-2012.html">this report</a> in <a href="http://www.nonprofitlawblog.com/home/2012/11/independent-sector-annual-conference-2012-day-two.html">two parts</a>.</li>
<li>National Arts Strategies is posting a bunch of videos in connection with the <a href="http://www.artstrategies.org/programs/salzburg_global_seminar/sgs.php">Salzburg Global Forum for Young Cultural Leaders</a> &#8211; interviews with the <a href="http://www.artsjournal.com/fieldnotes/2012/10/the-creation-communication-of-value/">young leaders themselves</a>, as well as more established folk like <a href="http://www.artsjournal.com/fieldnotes/2012/10/what-does-sustainability-mean-in-the-arts-and-culture-field/">Diane Ragsdale</a>.</li>
</ul>
<p><strong>RESEARCH CORNER</strong></p>
<ul>
<li>Is there a link between creativity and mental illness? A new study suggests yes, but <a href="http://keithsawyer.wordpress.com/2012/11/03/mental-illness-and-creativity-two-new-swedish-studies/">this fantastically thorough analysis</a> by Keith Sawyer urges skepticism of the results.</li>
<li>The Native Arts and Cultures Foundation has <a href="http://www.giarts.org/blog/tommer/native-arts-and-culture-foundation-publishes-strengthening-bones-report">released a report</a> recapping a 2011 convening called &#8220;Strengthening the Bones.&#8221;</li>
<li>Phil Buchanan <a href="http://www.effectivephilanthropy.org/blog/2012/10/which-data-and-who-will-pay-for-it/">speaks the hard truth</a>: &#8220;For Markets For Good to result in meaningful change, a big part of the emphasis must be foundations stepping up and supporting the development of good, credible data and robust nonprofit performance management systems.&#8221;</li>
<li>The Foundation Center has <a href="http://pndblog.typepad.com/pndblog/2012/11/from-open-data-to-open-knowledge.html">re-launched IssueLab</a>, a repository for research of all kinds within the nonprofit sector.</li>
<li>The first studies funded through the NEA Art Works: Research program are starting to come out. <a href="http://www.psmag.com/culture-society/need-help-try-a-lover-of-the-arts-49123/">Here&#8217;s one</a> about the link between arts participation and civic engagement in the 2002 General Social Survey. As always, correlation does not equal causation.</li>
<li>Maria Rosario Jackson&#8217;s latest (and, presumably, last) publication for Leveraging Investments in Creativity explores <a href="http://www.giarts.org/article/developing-artist-driven-spaces-marginalized-communities">artist-driven spaces in marginalized communities</a>.</li>
<li>Guy Yedwab demonstrates how it&#8217;s possible to create <a href="http://culturefuture.blogspot.com/2012/11/producing-on-virtues-of-good-data.html">useful graphs from Fractured Atlas fiscal sponsorship data</a>. Good call too to create budgets in the same format that you&#8217;ll have to report them in (for most people, this is the Cultural Data Project or something like it).</li>
</ul>
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		<title>DC, Chicago and Calgary</title>
		<link>https://createquity.com/2012/11/chicago-and-calgary/</link>
		<comments>https://createquity.com/2012/11/chicago-and-calgary/#respond</comments>
		<pubDate>Fri, 02 Nov 2012 12:22:38 +0000</pubDate>
		<dc:creator><![CDATA[Ian David Moss]]></dc:creator>
				<category><![CDATA[Research]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[conferences and talks]]></category>
		<category><![CDATA[DC]]></category>
		<category><![CDATA[disaster recovery]]></category>

		<guid isPermaLink="false">https://createquity.com/?p=4058</guid>
		<description><![CDATA[(Quick note: Createquity offers condolences to all those affected by Hurricane Sandy. A number of artists and arts organizations were among this group, and many of them are now facing great challenges. The Chelsea art district and artist enclaves in the Red Hook area of Brooklyn, NY were hit particularly hard, and it seems a<a href="https://createquity.com/2012/11/chicago-and-calgary/" class="read-more">Read&#160;More</a>]]></description>
				<content:encoded><![CDATA[<p><em>(Quick note: Createquity offers condolences to all those affected by Hurricane Sandy. A number of artists and arts organizations were among this group, and many of them are now facing great challenges. The Chelsea art district and artist enclaves in the Red Hook area of Brooklyn, NY were hit particularly hard, and it seems a safe bet that the damage to the arts community stretches into the millions of dollars. Hyperallergic is <a href="http://hyperallergic.com/59562/hurricane-sandy-report-3-days-after/">doing a great job</a> <a href="http://hyperallergic.com/59495/new-yorks-art-world-assessing-impact-of-hurricane-sandy/">rounding up</a> <a href="http://hyperallergic.com/59518/hurricane-sandy-report-two-days-after/">damage reports</a>, mostly from the visual arts; included among these is Createquity contributor Katherine Gressel&#8217;s employer, <a href="http://smackmellon.org/index.php/closing-update/">Smack Mellon Gallery in DUMBO</a>. Other affected groups include <a href="http://www.newamsterdampresents.com/?p=2507">New Amsterdam Presents</a> (an entrepreneurial collective of young musicians <a href="https://createquity.com/2011/11/emerging-ideas-classical-musics-new-entrepreneurs.html">previously profiled on Createquity</a>) and the <a href="http://valghent.com/nyc-westbeth-artists-housing-severley-damaged-by-hurricane-sandy/">WestBeth artist housing complex</a>, where my aunt and uncle have an apartment. Createquity Writing Fellow Jacquelyn Strycker has a roundup of resources for artists on <a href="http://thestrycker.wordpress.com/2012/11/01/disaster-relief-for-artists/">her personal blog, The Strycker</a>, and here is more info from <a href="http://archive.constantcontact.com/fs128/1102382269951/archive/1111432638077.html">Thomas Cott</a>, <a href="https://www.magnetmail.net/actions/email_web_version.cfm?message_id=2377762&amp;user_id=ArtsUSA&amp;group_id=264804&amp;jobid=11968180">Americans for the Arts</a> and <a href="http://www.giarts.org/emergency-readiness-response-recovery">Grantmakers in the Arts</a>.)</em></p>
<p>More travel for me coming up this month &#8211; I&#8217;m on a panel at the Future of Music Coalition Policy Summit on the 13th, giving a workshop on the untapped potential of evaluation in Chicago on the 14th, then speaking at the ArtSmarts Knowledge Exchange in Calgary on the 16th (my first work trip outside of the United States). Here are the deets:</p>
<p><strong>November 12-13</strong><br />
Future of Music Coalition Policy Summit<br />
New America Foundation<br />
1899 L Street NW, Suite 400<br />
Washington, DC<br />
<a href="http://futureofmusic.org/events/future-music-summit-2012" target="_blank">Info;</a> event is at capacity<br />
<em>(I’ll be participating in a panel called &#8220;The Intersection of Data, Policy and the Arts Sector&#8221; at 3:55pm on the 13th</em><em>.)</em></p>
<p><strong>Wednesday, November 14</strong><br />
“Solving the Underpants Gnomes Problem: Towards an Evidence-Based Arts Policy”<br />
part of the <a href="http://culturalpolicy.uchicago.edu/events/" target="_blank">University of Chicago Cultural Policy Center Fall Workshop Series</a><br />
DCA Storefront Theatre<br />
68 East Randolph Street<br />
Chicago, IL<br />
5 – 6:30pm<br />
<a href="http://culturalpolicy.uchicago.edu/events/" target="_blank">Info here</a> (scroll down)<br />
<em>(This is a going to be a 90-minute solo workshop with a fair amount of new content, all about the untapped potential of measurement in the arts &#8211; what we&#8217;re doing wrong, and how we can fix it. I&#8217;m excited!)</em></p>
<p><strong>November 15-16</strong><br />
ArtsSmarts 2012 Knowledge Exchange<br />
University of Calgary Downtown Campus<br />
906 8 Avenue SW<br />
Calgary, Alberta, CANADA<br />
<a href="http://www.artssmarts.ca/en/learning-community/2012-knowledge-exchange.aspx" target="_blank">Info and registration</a><br />
<em>(I’ll be participating in a dialogue on &#8220;<a href="http://www.artssmarts.ca/en/learning-community/2012-knowledge-exchange.aspx" target="_blank">Cross-Border Conversations on Creative Community Development</a>&#8221; with Shawn van Sluys of the <a href="http://www.musagetes.ca/" target="_blank">Musagetes Foundation</a>, moderated by Stephen Huddart of the <a href="http://www.mcconnellfoundation.ca/" target="_blank">J. W. McConnell Family Foundation</a></em><em>. The conversation takes place on November 16 from 11am-12:30pm.)</em></p>
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