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	<title>Createquity.Createquity.</title>
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	<link>https://createquity.com</link>
	<description>The most important issues in the arts...and what we can do about them.</description>
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		<title>Createquity Podcast Series 2: The Cost of Being Creative</title>
		<link>https://createquity.com/2016/08/createquity-podcast-series-2-the-cost-of-being-creative/</link>
		<comments>https://createquity.com/2016/08/createquity-podcast-series-2-the-cost-of-being-creative/#respond</comments>
		<pubDate>Thu, 18 Aug 2016 10:41:29 +0000</pubDate>
		<dc:creator><![CDATA[Katherine Gressel]]></dc:creator>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Art Careers]]></category>
		<category><![CDATA[Art School]]></category>
		<category><![CDATA[Artists]]></category>
		<category><![CDATA[arts education]]></category>
		<category><![CDATA[Arts Fundraising]]></category>
		<category><![CDATA[disparities of access]]></category>
		<category><![CDATA[economic disadvantage in the arts]]></category>
		<category><![CDATA[fiscal sponsorship]]></category>
		<category><![CDATA[Fractured Atlas]]></category>
		<category><![CDATA[individual artists]]></category>
		<category><![CDATA[nonprofit sector]]></category>
		<category><![CDATA[podcast]]></category>
		<category><![CDATA[Professional Artists]]></category>

		<guid isPermaLink="false">https://createquity.com/?p=9241</guid>
		<description><![CDATA[Createquity and Fractured Atlas team members compare notes on how to improve the lives of working artists. ]]></description>
				<content:encoded><![CDATA[<div id="attachment_8931" style="width: 513px" class="wp-caption aligncenter"><img fetchpriority="high" decoding="async" aria-describedby="caption-attachment-8931" class="wp-image-8931 " src="https://createquity.com/wp-content/uploads/2016/03/podcast-image-1024x683.jpg" alt="Image: &quot;Gogbot,&quot; Installation at the Gogbot Media Art Festival in Enschede. By Flickr user Ineke" width="503" height="335" srcset="https://createquity.com/wp-content/uploads/2016/03/podcast-image-1024x683.jpg 1024w, https://createquity.com/wp-content/uploads/2016/03/podcast-image-300x200.jpg 300w, https://createquity.com/wp-content/uploads/2016/03/podcast-image-768x512.jpg 768w" sizes="(max-width: 503px) 100vw, 503px" /><p id="caption-attachment-8931" class="wp-caption-text">Image: &#8220;Gogbot,&#8221; Installation at the Gogbot Media Art Festival in Enschede. By Flickr user Ineke</p></div>
<p>The <a href="https://www.fracturedatlas.org/" target="_blank" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://www.fracturedatlas.org/&amp;source=gmail&amp;ust=1471404588036000&amp;usg=AFQjCNHL451aSTHgtVwLAW5Lw6t20pdx1w">Fractured Atlas</a> and Createquity teams are back with a second installment of the Createquity podcast! Our first series, “<a href="https://createquity.com/2016/03/introducing-a-new-podcast/" target="_blank" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://createquity.com/2016/03/introducing-a-new-podcast/&amp;source=gmail&amp;ust=1471404588036000&amp;usg=AFQjCNF8gzc1qMtoKTsmT4RYawTS4ksRXA">Watch Where You’re Giving</a>,” discussed the implications for the arts of the growing philanthropic movement called effective altruism.</p>
<p>In this series, we look at what it takes to “make it” as a professional artist, as explored in Createquity&#8217;s recent <a href="https://createquity.com/2016/07/the-state-a-friend-indeed-to-artists-in-need/" target="_blank" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://createquity.com/2016/07/the-state-a-friend-indeed-to-artists-in-need/&amp;source=gmail&amp;ust=1471404588036000&amp;usg=AFQjCNHhAb1zBypEBRrgfLZ-qEfMXuXhzQ">series of research-driven articles</a>. Is a college education actually necessary, and how much depends on talent versus luck versus a high tolerance for uncertainty? And is the chance to succeed as a professional artist equally available to people of all backgrounds and income levels, or are people who, for example, grew up in lower-income families less likely to become professional artists?</p>
<p>In this latest Createquity podcast series, Createquity and Fractured Atlas team members illuminate the major factors that contribute to artists (or prevent artists from) establishing successful careers. We also focus on some of the tools Fractured Atlas has developed to support artists, with the larger goal of helping create a more navigable and equitable ecosystem for professional artists.</p>
<p><strong class="markup--strong markup--blockquote-strong">Episode 1:<br />
</strong></p>
<p><em>Guest Michael Feldman (bio below) provides a quick rundown of the research Createquity has done on this topic. Hear about how the decision to become an artist is affected by socioeconomic background and tolerance for risk, and what artists have in common with tech entrepreneurs. This includes a comparison of different state-run programs for artists in countries outside the United States.</em></p>
<p><iframe title="The Cost of Being Creative (Ep. 1) by Createquity Podcast" width="500" height="400" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F278516358&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500"></iframe></p>
<p><strong>Episode 2:</strong></p>
<p><em>In this case study of sorts, guest Theresa Hubbard, Program Specialist in fiscal sponsorship at Fractured Atlas (bio below), explains how fiscal sponsorship and the organization&#8217;s other programs can help mitigate some of the challenges and risks working artists face. She also discusses her own professional and personal experiences with access to creativity and her views on the future of the field.</em></p>
<p><iframe title="The Cost of Being Creative (Ep. 2) by Createquity Podcast" width="500" height="400" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F278516493&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500"></iframe></p>
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<h3 class="section-divider layoutSingleColumn">The Host</h3>
<p><img loading="lazy" decoding="async" class="progressiveMedia-image js-progressiveMedia-image alignleft" src="https://cdn-images-1.medium.com/max/600/1*sSjqsh4ozgmX4mQkva0_4A.jpeg" alt="" width="150" height="150" data-src="https://cdn-images-1.medium.com/max/600/1*sSjqsh4ozgmX4mQkva0_4A.jpeg" /><strong>E. Andrew Taylor, Host</strong><br />
Andrew Taylor thinks (a bit too much) about organizational structure, strategy, and management practice in the nonprofit arts. An Associate Professor of Arts Management at American University in Washington, DC, he shares what he learns at “<a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fwww.artfulmanager.com" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fwww.artfulmanager.com">The Artful Manager</a>.”</p>
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<h3 class="graf--h3 graf--first"> The Guests</h3>
<p><strong><img loading="lazy" decoding="async" class="wp-image-9251 size-thumbnail alignleft" src="https://createquity.com/wp-content/uploads/2016/08/feldman-high-res-150x150.jpg" alt="feldman high res" width="150" height="150" srcset="https://createquity.com/wp-content/uploads/2016/08/feldman-high-res-150x150.jpg 150w, https://createquity.com/wp-content/uploads/2016/08/feldman-high-res-32x32.jpg 32w, https://createquity.com/wp-content/uploads/2016/08/feldman-high-res-64x64.jpg 64w, https://createquity.com/wp-content/uploads/2016/08/feldman-high-res-96x96.jpg 96w, https://createquity.com/wp-content/uploads/2016/08/feldman-high-res-128x128.jpg 128w" sizes="auto, (max-width: 150px) 100vw, 150px" />Michael Feldman | Editorial Team, Createquity</strong><br />
Michael Feldman provides strategic and engagement advice to local and international arts organizations. Based in Washington, D.C., he also serves as a board member of the <a class="external" href="http://www.newmusictheatre.org/" target="_blank">Alliance for a New Music Theatre</a>, an arts partner of the Czech Embassy for their<a class="external" href="http://www.mutualinspirations.org/" target="_blank">Mutual Inspirations Festival</a>. Michael is a former cultural attaché and diplomat whose experience bridges the arts, development, and public policy worlds. Michael was a director at <a class="external" href="http://www.pepfar.gov/" target="_blank">PEPFAR</a>, the President’s Emergency Fund for AIDS Relief; a director for Europe and Central Asia at the <a class="external" href="http://www.ustr.gov/" target="_blank">Office of the U.S. Trade Representative</a>; and professional staff of the <a class="external" href="http://www.budget.senate.gov/" target="_blank">Budget Committee of the U.S. Senate</a>as part of a fellowship with the <a class="external" href="http://www.apsanet.org/" target="_blank">American Political Science Association</a>. At the <a class="external" href="http://www.state.gov/" target="_blank">US State Department</a>, Michael served in Europe and Central Africa; he oversaw assistance for the Balkans; and he negotiated policy with the <a class="external" href="http://www.oecd.org/" target="_blank">Organization for Economic Cooperation and Development</a>(OECD), the G-7/8 process, and the European Union. Michael graduated from Wesleyan University with a B.A. in Economics and speaks German, Czech, French and Italian.</p>
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<p><strong><br />
<img loading="lazy" decoding="async" class="alignleft wp-image-9243 size-thumbnail" src="https://createquity.com/wp-content/uploads/2016/08/Theresa-150x150.jpg" alt="Theresa" width="150" height="150" srcset="https://createquity.com/wp-content/uploads/2016/08/Theresa-150x150.jpg 150w, https://createquity.com/wp-content/uploads/2016/08/Theresa-32x32.jpg 32w, https://createquity.com/wp-content/uploads/2016/08/Theresa-64x64.jpg 64w, https://createquity.com/wp-content/uploads/2016/08/Theresa-96x96.jpg 96w, https://createquity.com/wp-content/uploads/2016/08/Theresa-128x128.jpg 128w" sizes="auto, (max-width: 150px) 100vw, 150px" />Theresa Hubbard | Program Specialist, Fiscal Sponsorship, Fractured Atlas</strong><br />
Theresa Hubbard is a Program Specialist at <a href="http://www.fracturedatlas.org">Fractured Atlas</a>, where she helps sponsored artists and emerging organizations navigate the funding landscape and find resources to support their work. She also serves on the steering committee of the <a href="http://www.fiscalsponsors.org/" target="_blank">National Network of Fiscal Sponsors</a>. Prior to joining the Fractured Atlas team in 2011, she completed internships with the National Symphony Orchestra at The John F. Kennedy Center for the Performing Arts and with the Weill Music Institute at Carnegie Hall. Theresa is an active member of the <a href="http://www.oratoriosocietyofny.org/" target="_blank">Oratorio Society of New York</a> and holds a Bachelor of Music degree in Voice Performance from Syracuse University.</p>
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<h3 class="graf--h3 graf--first"> The Team</h3>
<p><strong><img loading="lazy" decoding="async" class="wp-image-9242 size-thumbnail alignleft" src="https://createquity.com/wp-content/uploads/2016/08/Photo-2016-07-19-17_02-4.19.10-PM-150x150.jpg" alt="Photo 2016-07-19 17_02 4.19.10 PM" width="150" height="150" srcset="https://createquity.com/wp-content/uploads/2016/08/Photo-2016-07-19-17_02-4.19.10-PM-150x150.jpg 150w, https://createquity.com/wp-content/uploads/2016/08/Photo-2016-07-19-17_02-4.19.10-PM-300x300.jpg 300w, https://createquity.com/wp-content/uploads/2016/08/Photo-2016-07-19-17_02-4.19.10-PM-768x768.jpg 768w, https://createquity.com/wp-content/uploads/2016/08/Photo-2016-07-19-17_02-4.19.10-PM-1024x1024.jpg 1024w, https://createquity.com/wp-content/uploads/2016/08/Photo-2016-07-19-17_02-4.19.10-PM-32x32.jpg 32w, https://createquity.com/wp-content/uploads/2016/08/Photo-2016-07-19-17_02-4.19.10-PM-64x64.jpg 64w, https://createquity.com/wp-content/uploads/2016/08/Photo-2016-07-19-17_02-4.19.10-PM-96x96.jpg 96w, https://createquity.com/wp-content/uploads/2016/08/Photo-2016-07-19-17_02-4.19.10-PM-128x128.jpg 128w" sizes="auto, (max-width: 150px) 100vw, 150px" />Malcolm Evans | Producer<br />
</strong>Malcolm Evans is a Program Associate at Fractured Atlas. He graduated from Trinity College (Hartford) in 2013 with a Bachelor of Arts in Theater &amp; Dance. He also carries a minor in Studio Arts and has studied with the London Dramatic Academy Program. When he’s not hard at work at Fractured Atlas, he is hard at work at home, writing screenplays. Follow him on social media <a class="markup--user markup--p-user" href="https://medium.com/u/4dd672e95e2e" data-href="https://medium.com/u/4dd672e95e2e" data-anchor-type="2" data-user-id="4dd672e95e2e" data-action="show-user-card" data-action-type="hover">@malxavi</a>.</p>
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<p><strong><img loading="lazy" decoding="async" class="wp-image-8476 size-thumbnail alignleft" src="https://createquity.com/wp-content/uploads/2009/09/Katherine-Gressel-head-shot-150x150.jpg" alt="" width="150" height="150" srcset="https://createquity.com/wp-content/uploads/2009/09/Katherine-Gressel-head-shot-150x150.jpg 150w, https://createquity.com/wp-content/uploads/2009/09/Katherine-Gressel-head-shot-32x32.jpg 32w, https://createquity.com/wp-content/uploads/2009/09/Katherine-Gressel-head-shot-64x64.jpg 64w, https://createquity.com/wp-content/uploads/2009/09/Katherine-Gressel-head-shot-96x96.jpg 96w, https://createquity.com/wp-content/uploads/2009/09/Katherine-Gressel-head-shot-128x128.jpg 128w" sizes="auto, (max-width: 150px) 100vw, 150px" /></strong><strong>Katherine Gressel | Assistant Producer</strong><br />
Katherine Gressel is an NYC-based freelance artist, curator and writer focused on site‐specific and community art. She was a 2011 Createquity Writing Fellow and now helps spearhead new public programming for the organization. She has also published and presented with <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fwww.americansforthearts.org%2Fby-program%2Fnetworks-and-councils%2Fpublic-art-network" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fwww.americansforthearts.org%2Fby-program%2Fnetworks-and-councils%2Fpublic-art-network">Americans for the Arts’s Public Art Network </a>and <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fpublicartdialogue.org%2F" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fpublicartdialogue.org%2F">Public Art Dialogue</a>, among others. Katherine is currently the Contemporary Curator at Brooklyn’s <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Ftheoldstonehouse.org%2F" rel="nofollow" data-href="/r/?url=http%3A%2F%2Ftheoldstonehouse.org%2F">Old Stone House</a>, and has also curated for <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fwww.brooklynhistory.org%2F" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fwww.brooklynhistory.org%2F">Brooklyn Historical Society</a>, <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fwww.figmentproject.org%2F" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fwww.figmentproject.org%2F">FIGMENT</a>, <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fwww.nolongerempty.org%2F" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fwww.nolongerempty.org%2F">No Longer Empty</a>, and <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fwww.narsfoundation.org%2F" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fwww.narsfoundation.org%2F">NARS Foundation</a>. Katherine has painted community murals internationally and exhibited her own artwork throughout NYC, and currently runs an award-winning business, <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fwww.eventpaintingbykatherine.com%2F" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fwww.eventpaintingbykatherine.com%2F">Event Painting by Katherine</a>, creating live paintings of private events. Katherine has also held programming, grantwriting and teaching artist jobs and internships at such organizations as <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fwww.smackmellon.org%2F" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fwww.smackmellon.org%2F">Smack Mellon</a>, <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fwww.artstogrow.org%2F" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fwww.artstogrow.org%2F">Arts to Grow</a>, <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=http%3A%2F%2Fcreativetime.org%2F" rel="nofollow" data-href="/r/?url=http%3A%2F%2Fcreativetime.org%2F">Creative Time</a> and the <a class="markup--anchor markup--p-anchor" href="https://medium.com/r/?url=https%3A%2F%2Fwww.brooklynmuseum.org%2F" rel="nofollow" data-href="/r/?url=https%3A%2F%2Fwww.brooklynmuseum.org%2F">Brooklyn Museum</a>. Katherine earned her BA in art from Yale and MA in arts administration from Columbia.</p>
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<p><strong><img loading="lazy" decoding="async" class="progressiveMedia-image js-progressiveMedia-image alignleft" src="https://cdn-images-1.medium.com/max/600/1*Rfj8N5A3f5COlRmQp5_7Uw.jpeg" alt="" width="220" height="165" data-src="https://cdn-images-1.medium.com/max/600/1*Rfj8N5A3f5COlRmQp5_7Uw.jpeg" /></strong><strong>Jason Tseng | Engineer<br />
</strong>Jason Tseng has devoted his professional and personal life to empowering ordinary people to make extraordinary change. Splitting his time between serving the arts and queer communities of color, he has worked for organizations like Theatre Communications Group, Gay Lesbian Alliance Against Defamation (GLAAD), and currently serves on the steering committee and chair emeritus of GAPIMNY, the second oldest queer Asian community organization in the nation. Jason currently serves as the Community Engagement Specialist at Fractured Atlas, a nonprofit technology company that serves artists. Fractured Atlas helps artists raise money, manage risk, find space, sell tickets, track fans, and advocate as a field. With over 50,000 members nationwide in every artistic discipline and over $75 million raised for arts projects across the nation, Fractured Atlas is the largest member-based arts organization of its kind. Before moving to New York, he grew up outside Washington, D.C., in Maryland and graduated from the University of Richmond studying Women, Gender, &amp; Sexuality Studies and Theatre. In his spare time, Jason creates plays, stories, comics, and illustrations (usually about queer people and people of color). He now lives in Long Island City with his fiancé and their rabbit, Turnip Cake.</p>
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<h3 id="1e24" class="graf--h3 graf--first">Other Suggested Reading</h3>
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<p>Createquity&#8217;s research on working artists:<br />
<a href="https://createquity.com/2016/05/the-bfas-dance-with-inequality/" target="_blank" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://createquity.com/2016/05/the-bfas-dance-with-inequality/&amp;source=gmail&amp;ust=1471404588036000&amp;usg=AFQjCNE1RV7lRd_ELofhQcnvRvlvaV3KCg">The BFA&#8217;s Dance With Inequality<br />
</a><a href="https://createquity.com/2016/06/who-can-afford-to-be-a-starving-artist/" target="_blank" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://createquity.com/2016/06/who-can-afford-to-be-a-starving-artist/&amp;source=gmail&amp;ust=1471404588036000&amp;usg=AFQjCNF4pKNVBoKCaS2eKTqXEyBZZtwHSw">Who Can Afford to be a Starving Artist?<br />
</a><a href="https://createquity.com/2016/07/the-state-a-friend-indeed-to-artists-in-need/" target="_blank" data-saferedirecturl="https://www.google.com/url?hl=en&amp;q=https://createquity.com/2016/07/the-state-a-friend-indeed-to-artists-in-need/&amp;source=gmail&amp;ust=1471404588036000&amp;usg=AFQjCNHhAb1zBypEBRrgfLZ-qEfMXuXhzQ">The State: A Friend Indeed to Artists in Need?</a></p>
<p>Information about Fractured Atlas&#8217;s services for artists can be found at <a href="http://www.fracturedatlas.org" target="_blank">fracturedatlas.org</a>.</p>
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