Tag Archives: audience engagement

What is a Museum?

During my time as a Createquity Writing Fellow I’ve written a lot about museums partly because I am a museum professional, and largely because, being already keyed into the museum world, I find that there is just so much to write about. Although I had been aware of Fractured Atlas’s work for a long time, [...]

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Around the horn: Kim Jong-un edition

ART AND THE GOVERNMENT The NEA has unveiled a new four-point plan for its arts education program, and Kristen Engebretsen has the details. Yo-Yo Ma gave this year’s Nancy Hanks Lecture on Arts and Public Policy at Arts Advocacy Day, and you can watch the video here. Fascinating account of the Norwegian jazz scene and how government funding [...]

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Around the horn: diversity edition

ART AND THE GOVERNMENT The Future of Music Coalition’s Casey Rae recaps current policy on orphan works (i.e., creations under copyright but whose owners no longer exist), and outlines a solution that protects the original author/performer in such cases. Casey’s post has instructions if you want to file supporting or additional comments with the Copyright Office. With [...]

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Why aren’t there more butts of color in these seats?

Recently, Clayton Lord has been fomenting lots of discussion about race and audiences on his blog, New Beans. Diane Ragsdale has much to say in response, bringing in a recent Nina Simon post about the Irvine Foundation’s Exploring Engagement Fund (which has racial undertones but is not solely about diversifying audiences). Most recently, Barry Hessenius dove into the fray [...]

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Around the horn: Super Bowl edition

Createquity has had some milestones recently: in addition to reaching 3000 subscribers (woohoo!), for the first time, both authors of the research studies given the Arts Policy Library treatment recently have responded to the Createquity Writing Fellows in the comments. You can read Holly Sidford’s many-months-later perspective on “Fusing Arts, Culture, and Social Change” here, [...]

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Around the horn: fiscal cliff edition

A friendly reminder that the deadline for the Createquity Writing Fellowship is noon Eastern time on Tuesday, January 8. All it takes is a 250-word statement of interest to get started. Look forward to reading your submissions! ART AND THE GOVERNMENT Three perspectives on the fiscal cliff deal: from Nonprofit Quarterly; from Americans for the Arts; from [...]

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Around the horn: poolside edition

ART AND THE GOVERNMENT Americans for the Arts hosted a blog salon last month on the Common Core State Standards (“the next big thing in education”) and what they mean for arts education. I particularly enjoyed former colleague Richard Kessler’s “Steal This Blog” entry. Quite interesting analysis from Barry Hessenius of possible future directions for local arts agencies. [...]

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Burning Man is Dead; Long Live Burning Man

Burning Man is an arts event like no other. During the week prior to Labor Day, thousands of people collectively produce an alternative society in the Nevada desert, one driven by ten principles, such as radical inclusion of all attendees and their lifestyles, anti-corporate decommodification, and participation in cultural production. Thousands of artists spend much [...]

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Wrapping up the spring 2012 Createquity Writing Fellowship

Last week, we had a flurry of posts from our Createquity Writing Fellows, Kelly Dylla and Jackie Hasa, including Arts Policy Library entries on two important studies of cultural participation and audience engagement. Now that Kelly and Jackie have successfully completed the third round of the CWF, I wanted to take a moment to highlight [...]

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Arts Policy Library: Cultural Engagement in California’s Inland Regions

SUMMARY WolfBrown’s 2008 Cultural Engagement in California’s Inland Regions, commissioned by The James Irvine Foundation and written by Alan Brown and Jennifer Novak (now known as Jennifer Novak-Leonard) with Amy Kitchener, aims to provide a broad view of how residents in California’s Inland Empire and Central Valley regions engage with the arts. These regions are [...]

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